HOUR OF THE RAT-The Flawed Protagonist

Hi, Kat Sheridan hosting today so Sia can have a well-deserved long holiday weekend off for the Fourth of July!

I have a confession to make. I drink bourbon (and coffee), occasionally to excess. I can out-swear a Marine drill sergeant. I get pig-headed about the dumbest things. Sometimes I make bad decisions, do stupid stuff, or trust the wrong person. I try to do my best, and just hope my successes balance my failures. In other words, I’m human.

Which means I’m also a lot like Ellie Cooper, the protagonist in Hour of the Rat, the latest novel by Lisa Brackmann. I first encountered Ellie in Ms. Brackmann’s debut novel, Rock Paper Tiger. In Hour of the Rat, Ellie once again drags me along on an adventure through sprawling, bewildering, beautiful and treacherous China as she tries to help an old war buddy locate his missing brother, while being chased, used, and abused by shadowy government agencies, and stumbles into a truly terrifying real-world plot line having to do with GMOs (genetically modified organisms—if you want to get the willies every time you eat, look them up).

I’m going to say right up front that I loved this book. The synopsis is at the end, so I won’t repeat it here. What I want to talk about today is Ellie Cooper, and the way too many people may view a protagonist like her.

Let me tell you about Ellie. She was a medic in Iraq, a soldier who got caught in a terrible Abu Ghraib-like situation, and got torn between duty and horror. Her husband left her for a younger model. She got blown up and lost a chunk of muscle in her leg. It causes her deep physical pain and always will. She’s tough as old leather, but feminine enough to be embarrassed about the scars on her leg. She has PTSD. Between the pain and the nightmares, she doesn't always sleep well. She can’t function in the morning without coffee, her beverage choice the rest of the day is often beer, and though she tries to endure the constant physical and emotional pain, she sometimes resorts to popping Percocet for relief. She has a wry, dry, self deprecating sense of humor that comes out sometimes at the worst possible moment. She loves her uber-Christian mother, who drives her crazy, and is trying to heal past rifts with her. She’s an expat living in China, she’s trying to be a good friend to folks who may not deserve it, she’s trying to get her act together, and she’s trying to find some meaning in a world that exploded and spun out of control on her.

I haven’t read the reviews on Hour of the Rat yet, but I read them for Rock Paper Tiger (because I like to see what other people think of a book I adored). I was seriously appalled by folks who took issue with Ellie’s drinking and swearing and flawed decisions. As if they expected her, as a soldier, to say “gosh darn” and return home after the war to bake cookies and join the PTA. This weekend Americans celebrate our freedom, and the men who fought and died for it. Now that women are actively being allowed in combat positions (as if they already weren't de facto in those positions), are we ready for our books to have protagonists like Ellie Cooper?

My question is this: If Ellie Cooper had been Elliot Cooper, a male protagonist, would readers feel the same? Would you, as a reader, be more tolerant of a male character who’d been a soldier, been hit by an IED, who suffered the hell of PTSD, who swore, who coped with too much beer and painkillers, ran into dangerous situations, and was ambivalent about his mother?

Is there a subconscious prejudice toward the realistic portrayal of flawed female protagonists?

                                                                                                                                                                                                                                                                 

Hour of the Rat by Lisa Brackmann

Iraq War vet Ellie McEnroe has a pretty good life in Beijing, representing the work of controversial dissident Chinese artist Zhang Jianli. Even though Zhang's mysterious disappearance of over a year ago has attracted the attention of the Chinese authorities. Even though her Born-Again mother has come for a visit and shows no signs of leaving.

But things really get complicated when Ellie's search for an Army buddy's missing brother entangles her in a conspiracy that may or may not involve a sinister biotech company, eco-terrorists, and art-obsessed Chinese billionaire, and lots of cats—a conspiracy that will take her on a wild chase through some of China's most beautiful and most surreal places.

BUY: AMAZON, B&N, INDIEBOUND

Guest host Kat Sheridan is an aspiring romance author, fond of bourbon and shiny things. Creator of BlurbCopy.com, writing blurbs/back cover copy for indie authors. Bon vivant and diva. Her debut Victorian gothic romance novel, Echoes in Stone, will be published in the fall of 2013.

San Diego Noir: Interview with Lisa Brackmann

I’ve mentioned before I’m part of a large writing group and we have quite a few published authors covering multiple genres from literary to horror. We have some outstanding writers. I’m very proud of our group and the hard work our authors and editors do. We’ve been together about five years now and I talk to most of them on a daily basis. I’ve learned so much from them because we tend to share current publishing trends, news, and a plethora of information on writing.

Available for pre order

It’s also fun to keep track of some of their projects and how they get them. Lisa Brackmann recently participated in an anthology for a New York publisher, Akashic Books. Who, you ask? I hadn’t heard about them either. However, if you’re a mystery writer/reader you probably know of them. If you enjoy Noir stories you may have read some of their books. They have quite an impressive line up of authors.

They publish an award winning Book Noir Series centered in various cities around the world. I had heard of Brooklyn Noir but didn’t know the publisher—which is not unusual for me, as I tend to remember book titles or authors better than I do their publishers.

Akashic says of the series, “Following the stunning success of the summer '04 award-winning bestseller Brooklyn Noir, Akashic Books launches a groundbreaking series of original noir anthologies. Each book is comprised of all-new stories, each one set in a distinct neighborhood or location within the city of the book. ”

To date, they’ve published 42 books in the Book Noir Series and there are 12 more planned with 4 being released in 2011.

Being the curious type, I asked Lisa about her participation in the Book Noir Series.



Lisa, you debuted with Rock Paper Tiger in 2010. ROCK PAPER TIGER made Amazon’s Top 100 Books of 2010 (that’s fiction and non-fiction) and is one of Amazon’s Top 10 Mysteries & Thrillers. Still, you’re a debut author and it has to feel somewhat surreal to be involved with an anthology like this. How did it happen?

It happened thanks to editor Maryelizabeth Hart.  In addition to her own writing and reviewing, she’s the co-owner of Mysterious Galaxy, a truly wonderful independent bookstore in San Diego.

I did an event there for the release of my debut novel, ROCK PAPER TIGER and had a fantastic time. Maryelizabeth knew that I had a San Diego connection — I’m actually a San Diego native and was born and raised there — and wanted to know if I’d be interested in contributing. She’s really assembled an excellent, eclectic lineup, including such luminaries as T. Jefferson Parker and Don Winslow, and I was honored to be asked. And a little worried that I wouldn’t be able to deliver — I hadn’t written a short story since college!

Were you assigned a theme to write to?

In addition to putting together a diverse slate of authors, Maryelizabeth also wanted a collection of stories that do justice to the diversity and complexity that is the city of San Diego — it’s not all surfers and beaches. So though I wasn’t assigned any sort of topic or location, I wanted to make sure I didn’t just do another day at the beach.

Of course, what ended up happening is that the bulk of my story is set in Ocean Beach! But I also go to the World Famous San Diego Zoo.


What kind of research did you have to do?

I was getting pretty close to the deadline and quite honestly didn’t have a clue what I was going to write about. I really didn’t know if I’d be able to come up with a story or not. I decided to give it my best shot and proceed with the research and hope that it inspired something.


Now that would add some pressure to a writer. But still, you grew up in San Diego so couldn’t you just create a story from your memories?

Though I’m from San Diego, I’ve lived up in Venice CA for a number of years. So my first order of business was to visit the locations I wanted to use. I went first to the San Diego Zoo. I’d worked there for a number of years – it was my summer and weekend job that basically put me through college — but it had changed so much that I knew I needed to go there if I wanted to do it right. I’m very much a writer who works off of a place—I’m inspired by settings and I like to bring them to life with little, visceral details.

I had a fantastic trip there. I was particularly fascinated by the new elephant mesa, which also features many local animals as well as a natural history lesson on extinct species and environmental challenges.

So now you had a clear vision of the setting?

But I still didn’t know what I wanted to use the setting for.

Yikes. How did you get your story?

 I’d read an article about the same time about a sticker that was for sale in Ocean Beach, reflecting tensions between the local residents and a population of transients that many saw as a more dangerous element than the long-time hippies in VW vans that the area is known for. The sticker is a parody of signs at the San Diego Zoo. It says, “Please Don’t Feed Our Bums.” For whatever reason, that inspired me. And since the theme of this series is “noir,” that suggested a few other things. “Noir” to me means “A woman does a man wrong,” or conversely, “A man does a woman wrong.” So I put all those elements together, and voila, a story emerged!

When will it be out?

SAN DIEGO NOIR from Akashic Books will be out June 1st – just in time for beach reading!

Meanwhile you had also been finishing up your latest full-length novel. When will your new book out and can you tell us a little about it?

I’ve completed my second novel and hope to have more news about that soon. It’s another “existential thriller,” as I like to call ‘em, set in Puerto Vallarta, Mexico, featuring another woman who accidentally gets in way over her head. Michelle is a different sort of woman from Ellie (the protagonist of ROCK PAPER TIGER). She’s fortyish, a recent widow, and somewhat of a social chameleon; she’s pretty confident and savvy. But she’s nowhere near equipped to deal with the trouble she gets into.


I’ve been eagerly awaiting this one. As soon as you have a release date I want to have you visit again. Thank you for sharing the information on your upcoming anthology, San Diego Noir to be released in June. I’m looking forward to that one too.

~*~*~*~

Lisa Brackmann has worked as an executive at a major motion picture studio, an issues researcher in a presidential campaign, and the singer/songwriter/bassist in an LA rock band. She still takes pride in her karaoke-ready repertoire of bad pop hits and an embarrassing number of show tunes. A southern California native, she lives in Venice CA and spends a lot of time in Beijing, China. Her three cats wish she’d stay put.

Blog: Papertigertail

HOW CAN YOU BE A WRITER IF YOU'RE NOT A READER?

I read a number of blogs. An agent writes one blog I regularly read. On this particular occasion there was an informal discussion going on between several agents and editors, chatting about a dichotomy between readers and writers. The gist of it was that there were a whole lot of writers out there that weren’t readers. People convinced that they had a “book or two in them,” but they weren't readers. Then there were the writers who felt you shouldn't read other’s work in your genre because it would interfere with your "voice".

To me, the question has always been how can you effectively write a book if you don't read them? Base it on TV? Your fascinating life? Because you're a professional writer on the job?

I write many things professionally, articles, seminars, notes, and lots of reports. I'm writing something every day and while I don't have the time to read six or more books a week anymore, I do read something everyday. I read for pleasure. I also read to keep an eye out for what is selling, what’s not, styles of writing, and premises used.

I write creatively and have completed three 90k contemporary romance manuscripts of a trilogy and I'm working on a paranormal trilogy. So, I'd say I had “a book or two in me”. I’ve told stories all my life. I come from a very creative family of oral storytellers and published authors.

My love of books came from reading voraciously throughout my life. As a child my parents and grandparents felt to be well read one must read classic literature first. I was also encouraged to branch out and explore various genres, not just one. Consequently, I regularly read various sub-genres of romance; paranormals, suspense and thrillers, and I love Sci-fi. You could say I'm a mood driven reader. I'm the same with music for much of the same reasons--my parents and grandparents.

There is a perception out there that you can't read another’s words when formulating your stories--something nonsensical about copying the voice or premise, yada yada. To me, that's BS. My voice is mine and doesn’t change just because I read someone’s work.

I often think about how coaches train their athletes. It isn't by ignoring the competition. To the contrary, they watch recorded games of the competition so they can be better. Actors know the style of other actors—they watch them. You don't think musicians aren't aware of those who produce the same style of music? Or artists aren't aware of whose style is similar?

As an author, to know what’s marketable you have to read it. Analyze it. That’s keeping your finger on the pulse of market.

I’m a marketing/promotion rep by profession, to sell my products and people; I have to be familiar with what’s out there. Is their product comparable? Better? Worse? How is it packaged? Any book I write is my product and to market it effectively I have to know what’s selling, what my target demographics are and why.

So, you want to be an author? Read. Particularly in your genre. Know what’s selling out there and why.

What are your thoughts about this?

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  What kinds of books do you like to read? By all means share some good ones with  us!

I'll share the covers of a few I've read recently that I've thoroughly enjoyed. 

Interview With Lisa Brackmann, ROCK PAPER TIGER

My guest Lisa Brackmann, author of a outstanding debut novel, entitled ROCK PAPER TIGER. I had the chance to read her book several weeks ago and loved it. Read my review here.

Iraq vet Ellie McEnroe is down and out in China, trying to lose herself in the alien worlds of performance artists and online gamers. When a chance encounter with a Uighur fugitive drops her down a rabbit hole of conspiracies, Ellie must decide who to trust among the artists, dealers, collectors and operatives claiming to be on her side – in particular, a mysterious organization operating within a popular online game.

I had a chance to chat with Lisa about her life, her trips to China, her book, and what's coming next from the pen of Lisa Brackmann. She's led a rather fascinating life.


Lisa, welcome to Over Coffee.

You’re a Californian by birth and live in Venice Beach area. You’ve had quite a few gigs in your life—singer/songwriter/bassist in an LA rock band, written screenplays :-), worked in a movie studio for quite a few years. I'd say you were pretty heavily involved in the art of entertaining people. How did that come about?

I’d always been passionate about creative writing, and after my freshman year of college, decided that I wanted to pursue a career in film and television. I felt that film and TV were the art forms that could reach the most people, and I’ve always had a bit of a didactic streak – to me, art is about entertainment, but it’s also about enlightenment.

I noticed a thread of that in your book. How in the world did you go from being passionate about writing to starting a rock band?

During my time in China (more about that below) I got the idea that I wanted to play rock music. When I came home to San Diego, I taught myself the bass and formed a band that helped pay for my textbooks in college. After I got done with school, I moved up to Los Angeles to pursue both of these interests. I had a band that lasted more than a decade. We played around town, got some nice reviews here and there, but never could quite crack that next level of success.

You certainly have drive and ambition so why do you think it never reached “that next level of success”?

I think in part because I always had an ambivalent relationship to performing, and in part because my attention was always divided – I was writing screenplays and teleplays at the time as well. I never had much success with those either, mainly because the stuff I wrote tended to be a little too out there to have much of a chance at being produced.


And oh yeah, there was this need for a day job.

Yeah, eating and having a roof over your head is always nice. Hence, going to work for a studio? What exactly does an executive at a major motion picture studio do?

After kicking around doing various things I ended up at the film studio in a pretty low level job, doing an esoteric form of legal research. I worked my way up to an executive director level, working in a more creative capacity, primarily for film/TV development and production. I like to say that I was a mid-level studio bureaucrat, but for book jacket purposes, “executive” is more or less accurate.

What does Lisa Brackmann like to do for fun?

I enjoy getting together with friends – I have good buddies who come over and we taste wine and watch DVDs – we went through the entire run of “Buffy the Vampire Slayer,” so we still call these evenings “Buffy Nights.” I like going to art events, to interesting cultural activities. I love to travel – I pretty much like seeing what’s out there in the world. I’m drawn to intense experiences, though more as an observer than a participant (I probably should have gone into journalism). Of course I love reading, and I really do like long walks on the beach. But not piña coladas.

You say, “Accidentally went to China in 1979. Never quite left.” How did you accidentally go to China?

I had a high school friend whose parents were in the first group of Americans to teach English in China since before the revolution. My friend asked me if I wanted to go with him to visit his parents. This seemed like a good idea at the time. We were supposed to stay for a few weeks but ended up staying six months.

I would imagine money would run out after being in China six months. How did you support yourself while there?

I taught a quarter of conversational English to college students older than I was, who had had their educations interrupted by stints out in the countryside due to the Cultural Revolution. We also traveled around the country for a month, mostly on our own, which at that time was pretty hard to do. Generally you traveled in tour groups with minders. We always tried to push that particular envelope, to see the “real” China rather than what the government wanted us to see.

What changes, if any, came from that experience?

I think when you have a very intense experience at a young age; it has a profound impact on your personality and actually shapes who you become as an adult. China at that time was particularly intense. We were there shortly after the Cultural Revolution, so it was the scene people sometimes still picture when they think about China – everyone in green and blue Mao suits, lives rigidly monitored and controlled. I went there with little knowledge and few preconceived notions about what China would be like, so I didn’t really experience culture shock all that much when I was there. I did experience it when I went home, in part because it changed me so much, but the environment I returned to had not changed. It was really jarring, and I don’t exaggerate when I say that it completely altered the course of my life.

For example?

I look at things I wrote before and after China and it’s like they were written by different people. I think this is reflected somewhat in my novels, which tend to feature main characters who almost by accident find themselves in situations for which they were unprepared and which completely change their lives.

China is an unusual setting for novels today. What fascinates you about China?

It’s really hard not to descend into cliché when talking about China in general terms, which is probably why I prefer illustration by anecdote or in fiction. But the contrasts are just so fascinating – the turbo-charged pace of modernization on the one hand and thousand year old traditions on the other—temples across the street from Starbucks.

What keeps drawing you back?

On a personal level, I feel as though in a way I return to China to examine my own life – returning to the scene of the crime as it were, in an attempt to understand how China affected me. I feel very comfortable there, so it’s like being in my second home. I have a great network of friends whose company I really enjoy.

I also just really dig speaking Mandarin. It makes me happy.

I thought it interesting the way you describe modern apartment buildings but parts of it are either not fixed or half built. This description is set in Beijing, which is suppose to be a *modern* city. Do you see a lot of this? Or is it only in certain parts of town? Or was it made up?

Beijing is quite modern overall, and things like the subway system are truly impressive (would that we had its equal here in Los Angeles!). But there is a lot of substandard construction, because a fact of life in China is that regulations on the books are frequently not enforced in reality.


Also, I find there’s a sort of weak sense of public, common spaces – why put any effort into an area that isn’t “yours,” where you don’t actually live? You also have to factor in the amount of over-building that’s gone on [in China]. This is due in part to the tremendous corruption and collusion between local governments and developers, and in part due to government policy – China depends on an 8 to 9% annual growth rate to keep unemployment at a level that prevents widespread unrest, and with export demand down, that means infrastructure projects that aren’t necessarily well-thought out or needed.

I have to ask, are there online games in China like you portray in the book?

I based the game in the book, “The Sword of Ill Repute,” on World of Warcraft, which is incredibly popular in China. Like a lot of other popular entertainment, the government isn’t quite sure what to do about it or how to regulate it. Gaming is a big part of youth culture; a form of escapism and a means of individual expression that I think is probably more vital there than it is here in the US.

Gaming is big with the youth of most countries; what makes it different in China?

There actually have been protests within online games, like the one portrayed in the book. And recently, a gamer made a funny and pointed satire about the government’s attempt to censor World of Warcraft that was done entirely with animations from the game. I wish my Chinese was better, but I can still appreciate the effort that went into it and the critique it represents.

You mentioned in an interview one of the inspirations for the book was the war in Iraq and something you heard an Iraq veteran say? Care to tell us about that?

I was fascinated/appalled by the Abu Ghraib scandal, which to me was a complete betrayal of our Constitution and the most fundamental principles of our government. The only people convicted for the prisoner abuses were low-ranking soldiers, and given that they were following directives from the highest levels of government, I think this is a real miscarriage of justice. One of these soldiers, a sergeant, once said in an interview, and I’m paraphrasing here, “I’m a good Christian. I teach Sunday School. But a part of me likes making grown men piss themselves in fear.” I thought there was something really profound and interesting about this seeming contradiction.

And thus we have Trey Cooper, yes?

I don’t see Trey as a bad person. He doesn’t have a sadistic streak like the sergeant mentioned above. He really wants to do the right thing, to be a good man. But he’s not a terribly strong person when it comes to resisting authority – and when it comes right down to it, most people aren’t.

No, they aren’t and especially in war situations. It's all considered justifiable.

Most people do what they are told to do; they try to find some way of rationalizing behavior that is contrary to their own best natures.

That’s very true and yet it happens time and time again.
Your main character, Ellie, tells the story in first person which I find puts the reader right there with her. What do you like about Ellie?

Ellie isn’t the toughest person or the smartest person or the bravest person, but she has a fundamental sense of what’s right and what’s wrong, and in spite of her own flaws and fears, she keeps going. She’s in a situation that’s way over her head, at the mercy of forces that are far more powerful than she could hope to defeat, but she doesn’t quit, and ultimately she holds true to her own hard-fought and won values.


Do you have a favorite scene in the book?


Not really. I mean, it’s weird to say this, but a lot of times the most disturbing scenes are the ones that are kind of the most fun to write! Except that they’re also disturbing to me as a writer. Like, “eyewww, where did that come from?” But I also enjoyed writing the humor that’s threaded throughout the book. It may not sound like it from all the stuff I’ve said above, but I think Rock Paper Tiger is a pretty funny book in a lot of places.

Yes, I enjoyed the humor—its dry but there. Many times just her reaction to things made me laugh.

I noticed in the acknowledgements you mention a couple of groups. As a writer, what benefit are groups such as the two you mention?

It really varies. At the most basic level, writers support other writers – we’re the only ones who really understand what we go through, and it’s nice having a forum and a sympathetic audience where you can share and vent and just sort of socialize. It’s a cliché to say it but it’s true – writing is a solitary activity, and having an online home where you can go take a break and hang out is really nice. I also count on my writer friends to give me beta reads and to fill in my own gaps about how the industry works – I can’t begin to tell you how much amazing information I got from our own Judi Fennell, who is a consummate professional.

Oh, absolutely. I’ve learn much from her as well in so far as applying marketing/promotion principles to writing and building a readership—not to mention her ability to get her name out there.

What’s next for Lisa Brackmann?

I’m working on a book that’s set in Mexico – about the intersection of drug cartels, political power and another woman who’s in over her head. After that, I plan on returning to China. I have a good start on a story that I’m excited about. Besides, my Mandarin is really rusty – I need to get back!

I'm looking forward to reading it, Lisa. Thank you for being with us today and I know right now you're heavily involved in promoting your book and building a readership, but I do appreciate you taking time out of your schedule to answer my questions.

Folks, be sure to check out ROCK PAPER TIGER. If you like thrillers and entertainment that enlightens, you thoroughly enjoy the story!

Lisa Brackmann has worked as an executive at a major motion picture studio, an issues researcher in a presidential campaign, and the singer/songwriter/bassist in an LA rock band. She still takes pride in her karaoke-ready repertoire of bad pop hits and an embarrassing number of show tunes. A southern California native, she lives in Venice CA and spends a lot of time in Beijing, China. Her three cats wish she’d stay put.

Lisa's Blog

Lisa's Website

This is Ghost, Lisa's cat. Of course, she thinks she's much better than a tiger any day!

Monday's Musings

Usually when I return from writing conferences I’m jazzed and can’t wait to get back to my writing. Workshops or seminars by various authors inspire and energize me. Many times I’ve learn of a solution to a roadblock I’m facing in a current WIP. My fingers itch to stroke my keyboard.

I don’t know what happened to me when I attended The Romance Times Convention. I came back …tired, but a head full of information I had amassed through seminars and personal chats with authors. But instead of wanting to write, all I wanted to do was read. I can’t blame it on all the books I brought home. I always have stacks of books I’m interested in reading, books I’ve bought, books for reviews, and books from authors I will be having on my blog.

It’s not like my story bores me; the opposite in fact, it’s fun and I really like my characters and the premise. It’s exciting. Oh there are tedious parts, like the needed research to build the world I need, but for the most part I enjoy research as my inner history geek has a ball with it.

So what’s the problem? *Shrugging. I haven’t a clue. Could be having taken in so much info my mind needs time to process it. That’s very possible. My creative mind seems to have a loop separate from everyday stuff. I can feel it processing things, clicking away, arranging, and making sense of information and how to use it. When it’s happening, I tend to dream about it. Kind of how I write. The initial germ of the idea will appear and then it rattles around until all the pieces fall into place. When that happens I have to write. The green light is blinking and it needs to come out.

I’m sure periods of sleep deprivation haven’t helped but the kid is now improving in leaps and bounds and is almost back to normal. Realistically, I knew if I opened my WIP I’d want to immerse myself and that doesn’t go well with nursing a sick kid.

I still work. I’m filling June and July’s blog calendar. I’m writing all the time, just not my WIP.

So, I’ve been reading.

I admit I’ve probably read about 20 books in the past month. Whereas I used to never start another book while in the middle of another—what’s the point? If it loses my attention why go back to it? But I do have to do reviews, both fiction and non-fiction, so I usually have a non-fiction book going on the side.

Some books I can recommend:

• Rock Paper Tiger, Lisa Brackmann—fabulous book and I feel like I spent several days traipsing around China. She nails the whole culture so very well.
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  Black ops Inc series by Cindy Gerard—I’m reading her backlist on the series.
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  Dark Sword series by Donna Grant—I loved both of them and hate I have to wait several months for the next one.
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  The latest by Christine Feehan in her Leopard series (she’s an auto buy for me).
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  Kathryne Kennedy’s also an auto buy for me and I love her new series, The Elven Lords. Para-Historical is smooth and Fire Lord’s Lover is oh so worth reading.
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  Alexandra Ivy Guardians of Eternity series.
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  Christie Craig’s Shut Up and Kiss Me, which I hadn’t read before and I love her style. I’m going into her backlist now.
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  I’ve read and enjoyed Francis Ray’s It Had to Be You and have some of her backlist of The Grayson Friends Novels.
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  Patricia Sargeant’s On Fire.
  
• Donna MacMeans, The Seduction of A Duke
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  I’ve also been indulging in Steven Coonts Deep Black series Thrillers. Love his books.
  
  Non-fiction I’ve been reading and like (remember History geek) is My Times in Black and White. Fascinating book about Gerald M. Boyd, editor of NYTimes. Living history.

Up coming guests: Emily Bryan, Kate Douglas, Marie Force, Kathyrne Kennedy, Graham Brown, Faye Huges/Christie Craig, and many others the next two months. So be sure to check back or watch my Twitter and Facebook for announcements.

• Read any good books lately?

Have a great week!

WRITING IS A JOB

My guest is Lisa Brackmann. Her Debut book will be available June, 2010, from Soho Press. Be on the lookout, I will be reviewing this book for the blog soon.


Lisa is a friend and she's like the fifth friend of mine that received a contract this past year. It's been quite an eye opener to watch all the work that Lisa and other friends have had to do after they've sold the book. I hear about it from them all in varying degrees.


Why do I say that? Simple. Most writers are focused exclusively on the work involved in writing the story, editing and polishing the manuscript. Then they embark on the querying process and creating the right query letter. Looking for an agent and publisher. Granted, there is a lot of work involved in this part of the process. Somehow, you get the idea this is the brunt of the work. Once you sell, it's just a matter of waiting for the book to be released. Oh so wrong.


One of the benefits of having friends selling their books is seeing another aspect of work involved and just as hard, but in a different way, as the creating and selling it that book. Wow. If you think it's easy street after the sale, think again. It's a lot of hard work.


Lisa explains what it's been like for her.



A few years ago, back when I first seriously started writing novels, I came across Stephen Pressman’s book “The War of Art.” Pressman talks a lot about overcoming resistance and facing your creative fears, but for me what really resonated was one simple principle: writing is a job. The first rule of a job is, you show up. Whether you feel like it or not.

For whatever reason, viewing my writing this way was a huge breakthrough for me. It wasn’t about waiting for a Muse, or having to be in the mood. It was about putting my butt in the chair, opening up the document and doing the work. Discipline alone could nourish talent and inspiration. I liked that.

Seeing my writing as a job to do, while perhaps not the most glamorous or inspirational perspective, certainly has come in handy on the road to publication.

Last summer, my novel, ROCK PAPER TIGER , was acquired by Soho Press , for Spring/Summer 2010 publication. That is actually a pretty fast turnaround in the publishing world, and it meant that I had a lot of things to do in a fairly short amount of time, with lots of deadlines.

Acquisition and publication processes vary greatly from house to house, so some of my experiences may not apply to every situation. But I hope to give you a sense of what your job, as an author will be like, once you score that publishing deal and have signed your shiny new contract.

Generally you will have editorial revisions, requests for changes concerning story and character. Sometimes these come in the form of an editorial letter, where the concerns and suggestions are outlined. Without going too much into the specifics of my experience, I’ll just say that my editor was awesome and this was not a huge deal for me (for which I am seriously thankful).

At the same time, you’ll have to deal with a number of “housekeeping” issues – things that have to be done that are not directly connected to writing and revising.

The wonderful publicist at Soho (excuse me if I run out of superlatives, but everyone I have dealt with there has been fantastic) told me the single most important thing an author can do in terms of publicity is to have an easily findable web presence. That means a website that comes up when people search your name and the name of your book(s). So, mine is lisabrackmann.com , and in addition, Rock Paper Tiger permanently redirects to the page about the novel on my website (try it! You’ll see!).

Unless you are a web/graphic designer or someone with a lot of talent for design, I strongly recommend that you bite the bullet and hire a pro to design your site. Yes, it costs some money. But you’re going to need tax write-offs anyway, and a professional-looking website signals that you are a professional author. Which, once you sign a contract, you are.

Show the world that you’re a pro. It’s worth it.

Likewise…you’ll have to get an author photo. Yes, you really will. Even if, like me, you are a fairly publicity-shy sort of person. It Must Be Done.

Again, while you may not need to hire a professional photographer (I did, and I’m glad), your photo needs to have a certain amount of polish – in other words, a good portrait, not a casual shot of you and the kids and the dogs and/or cats. Think about your genre too. What sort of “look” helps promote what you are writing?

You will need a short bio.

While I was never asked to write a synopsis (and for that I am extremely grateful!), at many houses, you will be. I definitely have needed blurbs – thankfully I’ve been generally been able to use variations on my original query.

You might be asked to fill out an author survey. Again, this varies a lot from house to house. The purpose of the survey is to identify potential markets for your book and to provide information that will help Publicity and Marketing sell it. Any authors you can compare your work to, whose readers might like yours? What are the most original features of your book? Who might you be able to enlist to review or publicize it? Are there conventions or conferences that might be relevant? In what cities do you have particularly good networks?

You may be asked for a list of authors who would be appropriate to blurb your work, including authors you might actually know and can personally ask.

I found the Author Survey to be one of the toughest things I did. It forced me to think of my book in ways that don’t come naturally to me (I’m notorious for writing stuff that doesn’t quite fit neatly into genre categories).

Meanwhile, what about that book you wrote? You did your editorial revisions, the MS has been officially “delivered and accepted” (which you love, because that means you get Part 2 of your advance!). So you’re done, right?

Uh, no.

Here’s another instance where different houses have different processes. In my case, I next worked on a line edit. This involved minor editorial changes (clarifications, fact checks, fixing awkward prose) and copy edits. After that, the copy editor did another pass.

Then come the galley proofs.

This is kind of exciting, because the “galleys” are the typeset version of your book – what your book will look like when it’s published. But it’s also a challenge, at least for me – by this point, I had read the book so many times, I worried about my ability to catch mistakes. I strongly recommend that you come up with a careful system of checks and double-checks, because this really is your last chance to fix problems and make small adjustments in the text.

(Well, sort of. In my case, a proof-reader did an additional pass and had a few questions, plus I had a little issue that I just had to address. Again, procedures differ; your mileage may vary!)

Finally, your book is off to Production. Does that mean you’re done?

Well, I’m not.

I’m just a little over two months away from my publication date. I’ve had letters and essays to write for various promotional efforts. Bookstore events to calendar (and I guess I’d better start thinking about what I actually might say when I get there!). Interviews to conduct, conventions to attend, blog posts to write. Like this one!

So, yes. Being a professional author is a lot of work. It’s a job. And like any job, there are deadlines, and tasks that are kind of a pain in the butt.



But you know what? It’s the best job I’ve ever had.

ROCK PAPER TIGER:

Iraq vet Ellie McEnroe is down and out in China, trying to lose herself in the alien worlds of performance artists and online gamers. When a chance encounter with a Uighur fugitive drops her down a rabbit hole of conspiracies, Ellie must decide who to trust among the artists, dealers, collectors and operatives claiming to be on her side – in particular, a mysterious organization operating within a popular online game.

“Few writers would be up to the challenge of blending the worlds of urban China , Iraq , and a virtual online kingdom–but Lisa Brackmann wildly succeeds. Prepare to taste the smog, smell the noodles, and rub the Beijing dust between your fingers. Rock Paper Tiger is a fresh and vigorous work that vividly captures the roller coaster that is life in modern China .” –Eliot Pattison, THE SKULL MANTRA

~*~*~*~*~



Lisa Brackmann has worked as an executive at a major motion picture studio, an issues researcher in a presidential campaign, and the singer/songwriter/bassist in an LA rock band. She still takes pride in her karaoke-ready repertoire of bad pop hits and an embarrassing number of show tunes. A southern California native, she lives in Venice CA and spends a lot of time in Beijing, China. Her three cats wish she’d stay put.

Blog: Papertigertail