Today, I'm featuring some words of wisdom from a friend of mine, Beth Hill. You've read other contributions from Beth both on craft and some of her short stories.
Beth is a fiction editor and an excellent story content editor. I've benefited from her knowledge and I've always appreciated her easy to understand advice. In today's topic she reminds us of the importance of not only identifying one's weaknesses, as a writer, our strengths. Be sure to check out other timely articles on craft at The Editor's Blog
Writers have personal strengths and weaknesses. What one
writer nails every time, another might struggle with again and again.
Writers
have two options for producing better works based on their knowledge of
strengths and weaknesses. They can either play to their strengths, featuring
the skills they do well as they craft entertaining stories. Or they can
turn their weaknesses to strengths by working on those weaknesses,
whittling away at them until each time they write, they nail that issue that
used to give them fits.
Perfecting
a skill may take a while. It may take a long while. And it may not be fun, that
repetition and practice and boring effort. But the focus on eliminating a
weakness and making it not only a neutral element—something that won’t work
against the writer—but a strength—something that actually works for the
writer—will serve those writers for years. Why limit yourself to a few skills
you’re comfortable with and know you manipulate well when you can also learn
new skills and better position yourself to meet new writing challenges?
Identifying your weaknesses
Don’t
know your weaknesses? Pay attention to critiques, especially when several
readers comment on the same element.
If
your dialogue doesn't work, you’ll hear about it if you’re letting others read
your work.
If
failure to plot tightly is your weakness, spend time learning how to plot.
Learn
more than the basics. Stretch yourself.
Learn
the importance of character arcs. Learn how to weed out clichés. Learn how to
make use of setting, how it affects characters and tone and pacing. Face up to
your limitations rather than hiding them.
Learn
and practice and overcome your personal weaknesses one by one.
Any combination of writer strengths and weaknesses can be
worked and finessed to produce an entertaining book, but
weaknesses can overburden a story. And they can tax a writer so much that
he doesn't develop a story the way he should. Most of us don’t want to
spend time on difficult tasks that promise little pleasure or minimal reward
for the effort.
A writer doesn't start out as an expert in every skill.
A
partial list of elements a writer can be weak in or excel at—
plotting
characterization
chapter-ending hooks
dialogue
description
conflict
word choices
pacing
sentence construction
resolution
foreshadowing
characterization
chapter-ending hooks
dialogue
description
conflict
word choices
pacing
sentence construction
resolution
foreshadowing
Can
you say that you’re an expert at each? What about the skills I didn't mention?
Are you as equally skilled at every task required for writers to produce
entertaining and engaging stories?
If not, why not work on one of your weaknesses, actually
follow a plan to improve your writing? Why not become skilled at just one
writing element that gives you fits? (And after that, take on a second element
that needs work. But I don’t want to overwhelm you. One skill at a time works
just fine.)
Books
and the Internet and writing groups are wonderful resources. Tap into them.
Make use of available tools to perfect your skills. Turn weaknesses to
strengths.
Don’t
settle for being a writer; strive to be a better writer. Better than you were
last year. Better than you imagined being. Better than just good enough.
Freelance fiction editor Beth Hill.
I love the written word, the ability we have
to create worlds and emotions with well-chosen phrases. It’s my intention to
share tips and insights and encouragement with writers at all levels, to help
you craft stories that will entertain and satisfy your readers. That will help
satisfy you as writer as well.
I am both writer and editor. My editing focus is on long fiction, primarily
novels. I also mentor beginning writers. My editing service is A Novel Edit.
.