How Important Is Cover Art?

~Sia McKye~


"Despite what people say, people do judge a book by its cover" Nightline interview.

A Book cover is a marketing tool. They need to catch the eye. So I'm firmly in the camp that says, yes, what's on the cover is important.

Not all book covers completely reflect what’s in the story line. A savvy publisher is going to observe what is the current style of artwork and utilize it. They’d be stupid not to. As far as I'm concerned, a professional looking cover is vital. There is no excuse for a poorly executed one.

If I’m looking at books to buy—unless if have a particular author in mind—what’s on the cover is what induces me to pick it up. What’s on the back as far as the blurb will decide whether I buy it. A good cover includes a good blurb. Yes, I’m attracted to color but more attracted to a well-executed visual. I never have been attracted to cutesy covers. I usually skip over those that scream amateur.

Regardless of the method of publishing, covers are important. Even Print On Demand books can and should look professional. I saw one recently called Sun Singer, by Malcolm Campbell. It was simple but gorgeous in shades of blue. Recently I saw one that was stunning, called In Her Name, Empire, by Michael Hicks. I had no idea it was produced by a small Indie publisher using Print On Demand Technology, from the cover. If it’s done right, you should HAVE no idea that it’s different from mass-market paperbacks—except for the size. Unfortunately, most of the Print On Demand books are obvious because of their covers or lack of good cover art.

Each genre of books has a cover style. Suspense/mystery are generally darker colors, Romance genre usually have faces or figures, a hunky chest or something to draw the eye. Paranormals can have both or have a rather ethereal effect.

Cover Art is big business in Romance. Harlequin recently had a spot on Nightline regarding their cover art, where they said, “Despite what people say, people do judge a book by its cover. [Harlequin] puts an enormous amount of work and fun into these covers.”

You can see the interview at youtube: http://www.youtube.com/watch?v=LJGLA0UdqIY

Talking to various authors from both publishing methods, many will submit some sort of pictures, or description of what they see for the covers, be it a face, a body, landscape, a market scene, a city skyline. Give them all the help you can, I figure. Some authors will talk with the design departments but ultimately the design is what the publisher thinks will sell the book. Here's two example of romance book covers I personally like. Both draw me for different reasons. Judi Fennell's, In Over Her Head, because of the rich colors in keeping with a Mer storyline, a hunky chest, and I love the font used. Anna Campbell's, Tempt The Devil, because of the expression of challenge and sex appeal apparent in the man's face. I admit I have quite a favorites of covers but not enough space to show all.

Does Cover Art matter? You'd better believe it does!

What are some of your favorite covers out there and why? What draws you to them? Feel free to give us a link.

***
Sia McKye has spent over twenty years in marketing and promotion. She's written and published various articles on writing, marketing, and promotion. She's a Marketing Rep by profession and also writes fiction. Sia has completed a single title romance trilogy and is busy at work on a fun paranormal series.

Show up!

Today it’s my privilege to have Ken Coffman as a guest Over Coffee. Professionally, Ken is a non-fiction author and an Engineer with Fairchild. Personally, he is a good friend, a bit of a philosopher, a gifted musician, a wonderful storyteller and author of a favorite character of mine, Glen Wilson.

You could say his topic today embodies the philosophy he lives by: Be bold. Take the lead. Show up.

80% of success is showing up.- Woody Allen

What is the right percentage? 80% of success is showing up? I’ve heard 90%, 95%, and even 100%. Let’s not quibble, my friends. Some high percentage of success comes from showing up. But, what the hell does that mean?

I feel like I understand the concept and it doesn’t mean success is easy. Showing up sounds easy, so what’s going on? Let’s suppose you’re sitting in a room with one hundred other people. If you have a question, the physical effort of raising your hand is nothing. You lift that heavy hand hundreds of times a day. But the courage to take the chance, to draw attention to yourself, to risk asking the stupidest question ever asked…that takes courage. Grit. Guts. In this case you gotta show up by raising that heavy hand.

Let me illustrate with an example from my life. Every few years when I can afford it and the mood strikes me, I will act as concert promoter. A while back, I booked a show with Patrick Moraz. Patrick is a world-renowned keyboardist and pianist who played with Yes and The Moody Blues. Truly, he is as close to a modern incarnation of Mozart that we will see in our lifetime. That sounds over-the-top and ludicrous, doesn’t it? But, check it out. You’ll see.

For an opening act, I decided to book a friend, Eric Dahl. Eric is a talented songwriter/storyteller, but I remember the day he told me he didn’t know how to play the guitar. I’d seen him perform and loved his songs…how could it be that he ‘knows not’ how to play? As it turns out, a guitar-playing friend tunes his acoustic guitar to an open chord and all Eric has to do is move his thumb and index finger up and down the neck to play simple patterns. As an aside, this is the way Glen Wilson (from my novel series, the continuing adventures of Glen Wilson, which starts with Steel Waters) also plays the guitar. This is in no way coincidental, but never mind that.

The concert was fun and the audience ate it up. Then, at the end, for an encore, a group of people wanted to hear Eric playing with Patrick. My heart sank. This would be a disaster… We can’t combine one of the premier pianists of the world with a fellow who does not know how to play the guitar. Sensing a meltdown, I sank into my seat and tried to disappear.Here’s what happened. Eric got on stage, grinned at the crowd and started playing and singing a simple, funky bluesy pattern. Genius that he is, Patrick joined in and played wild, creative and amazing accompaniment. It was great. Perfect. Beautiful. And taught me a valuable lesson. I have the recording. It’s cool.

The life lesson?

Be bold. Take the lead. Show up.

What does this mean to my fellow writers? We’ll have setbacks. The blank page will sit on our screen and mock us. We’ll get a bad review. Another rejection letter. We’ll lose a contest. It can be overwhelming, paralyzing and depressing. That’s life. What should we do? Work! Perfect your skill at creating characters, designing a story arc and executing your ideas with good grammar, vocabulary and syntax. No matter where you started and no matter where you are today, you can get better and inch closer to your goal. Step-by-step. Day-by-day.

And that’s what I’m doing. Thanks Eric.

***

Ken Coffman is the author of Steel Waters, Hartz String Theory and other mad novels available from Amazon.com and other online bookstores. He wrote a popular technical book called Real World FPGA Design with Verilog published by Pearson-Prentice Hall.

He is a Field Applications Engineer and Member of the Technical Staff at Fairchild Semiconductor.

He is the coauthor of six patents, a member of the standards association of the Institute of Electrical and Electronics Engineers, and a guitar player. He plays golf exactly the way his boss wants him to: very poorly.

FORGETFULNESS

Like many writers today, Cheryl Brooks leads a busy life. She’s wife, mother, caretaker of an assortment of critters, and works full time as a Critical Care Nurse. Did I happen to mention she has five cats? I think she likes felines, a lot. Cheryl has also written a wonderful series called The Cat Star Chronicles.

Busy lives means juggling and juggling means we’re going to forget something along the way; I figure that’s why sticky notes were invented. Today Cheryl talks a bit about forgetfulness.

I used to have a nearly photographic memory. I didn't forget anything, not the details of a lecture in school, not directions on how to do a procedure, not what time I was supposed to be somewhere, or what I was supposed to bring. Taking tests was easy because I could picture in my mind the page and paragraph where the answers to specific questions were located. Oh, how I wish those days were here again! It's just my luck that my writing career seems to have taken off just when my mind has decided to leave town.

I'm not alone. Meryl Streep once said she never had any trouble remembering her lines until she hit menopause. All of my friends who are about my age are having similar difficulties—walking into a room and not knowing what you went in there for, being in the shower and washing your feet twice because you don't remember washing them the first time, and forgetting to write that blog you promised to send to Sia. . .

Fortunately, the written word is there to remind us of what we've forgotten; little nudges to help avoid looking stupid. Looking back through blog comments, I found one from Sia on Wickedly Romantic that I hadn't seen, which mentioned this particular contribution. If it hadn't been for that, I probably would have felt really dumb when Sia said, at some point: “So, what about that blog you promised me?”

My husband and eldest son are tickled to death with the loss of my memory because now I'm no different from them. My youngest son has taken over as the memory vault for the family. He never forgets anything, and being mildly autistic, he has very few qualms in pointing out to you just what you've neglected. Unfortunately, he only remembers things that I remember to tell him.

This can cause problems for a writer because you have to constantly look back to see if you've already described the hero's startling green eyes or the heroine's long, silky tresses. Sometimes those details can be very difficult to find, too—mainly because they usually aren't where you remember putting them. The “find & replace” function is quite useful—if you can remember a key word. Thank heaven for email providers with unlimited storage capacities. If I had to shuffle through actual letters, I'd never make it. As it is, I'm so pleased I can point out that, yes, in the email dated such-and-such, I told you about. . .

A few days ago, I recalled (amazingly enough) the old adage that “Rosemary is for Remembrance.” Desperate to recover that which I had lost, I made some rosemary tea, which I drank a few sips of off and on throughout the day—and, yes, it tastes just as bad as you think it would. I believe it helped some, but obviously, I should have made more of it today when I went to the bank and forgot to bring along the checks that needed cashing.

Some days, it just doesn't pay to leave the house.

***

Cheryl Brooks is the author of The Cat Star Chronicles. This series of erotic science fiction novels explores the lives of the last of a race of feline lovers captured in war and sold into slavery. Discover how the men of Zetith could make an entire galaxy of men jealous enough to destroy their race...

Slave was the first of Cheryl's books to be published with Sourcebooks Casablanca. What makes it even more exciting is that they have asked for five more novels in this series!

Cheryl is a native of Louisville, KY, and graduated from the Kentucky Baptist Hospital School of Nursing and then went on to earn a BSN from Indiana University. Horse crazy from the time she knew what a horse was, her family moved to rural Indiana in 1989. Since then, she's managed to accumulate four horses and five cats. Cheryl has been working full-time as a critical care nurse for more than thirty years, which can be exciting, but she's itching for a different kind of excitement!

Cheryl's other interests include cooking, gardening, singing and guitar playing. "I'm really hurt that The Eagles got back together without me!"

You can visit Cheryl at her website: http://cherylbrooksonline.com/index.html . And catch her blogs at Wickedly Romantic http://wickedlyromantic.blogspot.com/ andn Cheryl Brooks Erotic Blogspot

Available in June 2009

Bringing Back The Spark—Writing Three-Dimensional.

~Sia McKye~


To me, the connotation of “spark” is putting life in your writing. I think you can have a distinct voice and still not quite have the spark there. For me, it’s that moment when my characters become real, or come to life on the pages. They act and react realistically, and not always as I may have originally envisioned the situation. It’s not so much you, the author, writing their lines…more like you as the author are channeling your character’s lives on to the pages of your story.

One of the ways I know I haven’t gotten the spark is when I’ve written something and there is that niggling feeling that tells me something isn’t right or something is off in this scene. It feels …flat. It might be that I’m trying to force my characters into a situation, or plot area, they wouldn’t be in, or have them reacting in a way, given their backgrounds, they wouldn’t. Or I’m trying to take the easy way out in solving their problems.

I think about how an actor approaches a role. As an actor, you have to step into your character, see who they are, how they react, understand what their goals are, what their motivations are, and what their conflicts are. Once you understand those things, then you know how these characters will act and react in pretty much any situation. You have to be able to do that to portray them in a play or on the screen. An actor can know the character they are depicting so well, that if a scene is rewritten they can and will argue it isn’t right, the character wouldn’t do this or that.

I think as a writer we need to do the same. We have to know our characters well to do justice to them. Some writers put together elaborate files on each character, likes, dislikes, favorite colors, etc. My files aren’t that elaborate. Many times I don’t have the character file when I start my story. I do by the end of the story. I usually write the beginning of the story. My file grows as I write. This is also where I dump exposition edits I’ve done that define my characters, things I need to know, but my reader doesn’t.

There are times when something doesn’t feel right but I can’t put a finger on it, other than my characters are feeling like one-dimensional paperdolls. It’s time for what I call Dr. Sia’s couch time. I put my characters on the psych couch and start analyzing them. I will sit down and write out each main character’s goals, motivations, external and internal conflict. I do this with the villain too. By the time I’m finished, sometimes before I’ve finished, I usually have that ah-ha moment and I can see clearly where I went wrong. The black moment is in the wrong place, or I’m making it a soft gray moment rather than black, maybe my hooks to draw my reader forward are dull or indistinct—not good. Seeing what’s wrong may also mean some rewrites but it puts me back on track and my characters and story again become three-dimensional. It makes their reaction to conflict sharper. Reaching their goals sweeter. It makes a better story.

Life is good again because my characters are back to being real people acting and reacting realistically.

The spark is back and the one-dimensional paperdolls are gone.

***

Sia McKye has spent over twenty years in marketing and promotion. She's written and published various articles on writing, marketing, and promotion. She's a Marketing Rep by profession and also writes fiction. Sia has completed a single title romance trilogy and is busy at work on a fun paranormal series.

Sweet Justice Is Coming

A frequent question readers, and often—other writers, ask a Best-Selling author, is where do you get your ideas? How do you develop the idea into a story? How do you research it? What is your motivation for using certain topics?

Best selling author, Jordan Dane, answers some of these questions and explains the reasons behind her Sweet Justice Series.

Imagine the horror of going to your teenager’s bedroom one morning only to find her missing. Her bed hadn’t been slept in and her clothes are gone.

In 2000, that’s what one mother in Florida faced. Her only child had conspired against her and ran away. And worse, she later discovered that her daughter had left the country—without having a passport. From the moment I read this news story, I was hooked and had to know more about how such an atrocity could happen. The teen’s trail might have gone ice cold, but her mother pushed authorities in a direction.

She knew where to start looking.

Only six months earlier, the girl had received a computer for a gift—a thoughtful present from a mother who wanted the best for her child. But this gift soon brought a virtual menace into their home. A charming and anonymous stranger lured the 14-year old girl to Greece—a man she’d met in a teen chat room. We’ve all heard stories like this. But after researching the facts behind this case, I was amazed at the audacity of this Internet predator.

And I wanted to shed light on the shrewd tactics of online predators in my upcoming book—Evil Without A Face (Feb 2009, Avon, $7.99)—the first book in my Sweet Justice series.

The online predator not only manipulated the teenager in Florida, but he also convinced law-abiding adults to cooperate with his schemes. These people thought they were helping an abused kid, but they didn’t know the facts, check with her family or contact local law enforcement. This stranger duped an employee of the local phone company into arranging for a private cell phone to talk to the girl directly. His slick manipulation scored him a purchased airline ticket (without a direct connection to him) and a clandestine ride for the girl to the airport. But after he bribed a child pornographer to acquire an illegal passport for her to leave the United States, the girl was out of the country before her mother knew she was gone.

And the chase to save the girl was on—a mother’s worst fear.

Now I know what some of you are thinking. This happened in 2000, before the added airport security measures were implemented after 9/11 in 2001. The girl would never have been allowed on a plane without proper ID. But after contacting a source in the airline industry, I was shocked to learn how many children travel unaccompanied and without a valid ID on domestic flights these days. So this extraordinary Florida case became the framework for my novel, Evil Without A Face. And I chose to set part of the story in the unique venue of Alaska where I had lived for ten years.

My novels have the feel of being ripped from today's headlines because real crime inspires me. Who says crime doesn't pay? Violence is like the ripple effect on the surface of still water. The wake radiates out from the victim and touches many people. In my books, I give a voice to the many victims of crime.

In Evil Without A Face, an illusive web of imposters on the Internet lures a deluded teen from her Alaskan home and launches a chain reaction collision course with an unlikely tangle of heroes. A new kind of criminal organization becomes the faceless enemy behind an insidious global conspiracy. And the life of one young girl and countless others hang in the balance. This is the initial driver to my new series. With an international setting, these thrillers will focus on the lives and loves of three women—a bounty hunter operating outside the law, an ambitious vice cop, and a former international operative with a mysterious past. These women give Lady Justice a whole new reason to wear blinders.

And their brand of justice is anything but sweet.

After researching the case in Florida, I became more concerned for naïve kids socializing in cyberspace—young people like my nieces and nephews. Savvy online criminals lurk in anonymity and carry on without fear of repercussion. I’m an active member of MySpace and Facebook and know how they operate. But these social networks aren’t the problem—the criminals are. And as you’ve seen in the headlines and on TV, the online community has become a real hunting ground for predators.

Why not? It’s easy pickings.

For the most part, the Internet is an invaluable tool. And it breaks down the barriers between countries, allowing many of us to have international friends. But the anonymity of cyberspace attracts all sorts of users with criminal intent. Terrorists have found new high-tech ways to recruit online and they have duped some Internet users into funding their activities or have resorted to outright stealing through subterfuge. And since crimes that cross over jurisdictions and international borders are harder to prosecute, offenders often get away with their schemes. That's why I wanted to write Evil Without A Face and dole out my brand justice. After all, who couldn’t use a liberal dose of ‘Sweet Justice’ when reality becomes stranger than fiction?

How has your use of the Internet changed over the years? Have you become more suspicious of certain behaviors from online strangers? And if you have children who use online resources, can you share some tips on how you keep them safer?

***

Avon/Harpercollins launched Jordan Dane’s debut suspense novels in a back to back publishing event in Spring 2008 after the 3-book series sold in auction. Ripped from the headlines, Jordan's gritty plots weave a tapestry of vivid settings, intrigue, and dark humor. Publishers Weekly compared her intense pacing to Lisa Jackson, Lisa Gardner, and Tami Hoag—romantic suspense that “crosses over into plain thriller country”. Pursuing publication since 2003, this national best selling and critically acclaimed author received awards in 33 national writing competitions. And recently, her debut novel NO ONE HEARD HER SCREAM was named Publishers Weekly Best Book of 2008 and Romantic Times Magazine nominated NO ONE LIVES FOREVER as Best Intrigue Novel of 2008. Formerly an energy sales manager in the oil and gas industry, she now is following her passion to write full time. Jordan and her husband share their residence with two cats of highborn lineage and the sweet memory of an impossible to forget canine. For more, visit www.jordandane.com.

Coming in November, 2009: THE WRONG SIDE OF DEAD

Mining Personal Gems

Award-winning author of The Chameleon Chronicles, Beth Ciotta, is my guest Over Coffee today.


Readers and writers both often wonder where an author gets their ideas. How to build believable characters that ring true and resonate with their readers. Where does a writer get the needed inspiration for realistic characters?

Today, Beth shares with us how she finds her inspiration for believable characters.


There’s a saying: Write what you know. Writing about something you’ve experienced—a job, a tragedy, a thrill, an encounter with certain personality types—lends authenticity to your tale. That’s not to say you shouldn’t research and write about what you don’t know. Why box yourself in? But if you’re ever stuck for an idea or material, consider the value in mining your own buried gems.

Evie Parish, the featured heroine, ALL ABOUT EVIE, EVERYBODY LOVES EVIE, and EVIE EVER AFTER, is a veteran performer—like me. Her struggles and triumphs within the entertainment industry ring true because they’re based on my own experiences and emotions. The same goes with her body-image issues as an over-40 woman living in a youth obsessed society. Because I’m personally keyed into these subjects, I write about them with an honest passion.

No matter your occupation, age, or personality there’s something within you and your history that will strike a chord with readers. I wasn’t always over forty and I couldn’t always support myself on performance gigs. The other day I thought about some of the odd jobs I've picked up over the years to make ends meet. Each one of these inspires an idea for a story or at least a character within a story.

1. Car hop waitress at a hot dog stand (developed an addiction to root beer and chili-cheese dogs)

2. Front desk clerk at a dry cleaner (Man, it's HOT in there! All that steam. Hmm.)

3. Sales-person at a men's clothing store (That employee 40% discount killed me. Spent more than I made. Although I did learn the 'correct' way to fold clothes)

4. Music teacher at a Catholic School, K-8 (Love kids. LOVE 'em. Except for that one out-of-control 5th grade class that made me cry.)

5. Entertainment Coordinator at Resorts Casino (My first taste of being on the supervisory end of entertainers. Whoa.)

6. PR Coordinator at Tropicana Casino (Perks? Learning how to write a press release, and escorting VIPs around the casino. Gary Sinese comes to mind. What a doll!)

7. Secretary/Assistant at two different entertainment-booking agencies (Something I was really good at, but didn't feel it was I was meant to do.)

On the subject of writing what you don’t know, I also have some dream jobs.

1. An ongoing job as a character at Disney World (Snow White's my first choice. Although I'd be happy with Cinderella.)

2. A travel writer (Getting paid to write about exotic foods and locales? Come on!)

Now it’s your turn. Name one real job and one dream job. I’m betting one
or both could inspire a fascinating tale or character. We’re all brimming
with personal gems. Sometimes you just have to dig.
***

Storytelling comes naturally to award winning author, Beth Ciotta. Limiting herself to one sub-genre does not. Dubbed “fun and sexy” by Publisher’s Weekly, Beth specializes in writing Romantic Comedy with a Twist of Suspense and is published in contemporary, historical, and paranormal romantic fiction. Beth’s latest release, EVIE EVER AFTER, is the third in a series with HQN Books and is currently earning rave reviews. Into the Wild, a romantic jungle adventure, is set for release in 2010. Look for these connected stories from HQN Books.

Beth lives in New Jersey with her husband, a zany dog and one crazy cat. To support literacy, Beth works at her local library where she enjoys hawking books almost as much as writing them. To learn more about her chaotic life visit her website at www.bethciotta.com and her blog at http://bethciotta.blogspot.com/

WRITING: DON'T TRY TO CONTROL THE UNCONTROLLABLE

~Sia McKye~

"Writing a book is an adventure. To begin with, it is a toy and an amusement; then it becomes a mistress, and then it becomes a master, and then a tyrant. The last phase is: you kill the monster, and fling him out to the public." Winston Churchill

One of my favorite blogs was discussing the attitude of some aspiring authors and how critical they were of books on the market today. I do read many blogs and the comments as well as discussions on writer’s forums. There is a worry that the writing market is being flooded with wannabe authors. Frustrated writers trashing, not only the books that are being published when theirs are not, but also agents and publishers and the horse they rode in on, because they have passed on their manuscript.

They curse the market that’s buying books that aren’t in their genre. I’ve seen a lot of scrutiny on what is being published. Questions and opinions on formula writing to the market, thrillers and suspense, romance and various sub-genres of romance. Are there too many types of Regency novels flooding the market? Is erotica another word for porn and is it a valid genre? Are Vampire stories a dead end now? Are paranormals on their way out?

I happen to think any idea, if presented in a fresh way, will still sell. I’m a selective reader and will say I do think twice about reading a book or series written about vampires. I’m the same way with Regencies and to a certain extent, paranormals. It has to have that certain something that makes it stand out. Say what you want, but paranormals are still hot and I don’t see them declining in popularity any time soon and I think it’s the same with genres of erotica.

Reading some of the blogs and writer forums is a lot like walking into a room filled with chaos and loud opinions. I tend to do one of two things when that happens, walk out or start watching for the patterns. Make sense of the chaos and find my own path.

There are a lot of opinions and strong feelings on what’s selling today. Speaking as a writer, I am more critical of the quality of writing in books I read, this is true, but not so much that I pan most of the books published today as drivel. I don’t think they are.

I suppose some of the attitude among writers’ stems from the feeling that most books published today are tripe. It may also depend upon the genre of books a person reads. Various genres wax and wane in popularity. When they wane, it’s hard to find a book to read in that genre. I love a good romance but I read several genres, so I usually find something worthy of reading. Right now, I’m reading and enjoying a thriller by Stephen Coonts, called Deep Black: Arctic Gold.

I think some of the attitude among writers might also stem from having their work passed over while others seem to get published. They compare their book ideas or those of their friends with what’s out there and finding it lacking. Some feel that their writing is as good as or better than what’s being published—and that may well be true. I’d say this attitude is both frustration with a highly competitive market and plain jealousy. One you can’t do anything about and the other you can.

I have a good friend who says getting published is like a lightning strike. You need to be in the right place at the right time. Lightning strikes happen more times than we realize. So, following analogy if that’s the case then I am going to be the one out in the storms carrying the lightening rod and trying to draw the lightning.

While I'm ambitious, determined, and success oriented, I've never been a type A personality. I feel that yes, there is some luck involved—being in the right place at the right time. I watch the patterns I try to place myself where I can take advantage of the thread of luck, such as it is. I also feel there is a good deal of work involved. I can’t control the market. I have no control over readers' taste in books. I realized a long time ago, there are few things in life you are able to control, so why waste the energy trying to control the uncontrollable? I can control the quality of my work and improve it so I’m more competitive in the existing market. So, I work.

The thing about jealousy, aside from making you bitter, is the fact that while you are so busy bemoaning another's success you don't have the time to work on your own. I don't begrudge someone his or her success being published and I’m not. Good for them and I’ll have my own soon enough unless I give up—which is not my style.

For me, success has always been about applying myself, believing in myself, getting knocked down but getting back up. I don’t have time to sit in the middle of the road crying over whether something is fair or not, or worry about the market, agents, or publishers. There is one thing about all those writers trying to break into the business though, if I fall and skin my knee, or have hurt feelings from a rejection? I sure as hell better get up quick or I’ll be trampled or left behind. Footprints and dust aren’t the fashion statement I want to project.

So, regardless of the market, the opinions of agents and publishers, my philosophy is: Don’t get caught up in jealousy over another’s success. Don’t try to control the uncontrollable, like readers' taste and what is or isn’t being published. Control those things you can and if you want to be published, be willing to work hard to perfect your craft. If you get knocked down, get back up. Writing is a business so learn the business to the best of your ability. Carry a lightning rod and always keep your eye open to look out for your own luck.

“Opportunity dances with those already on the dance floor.”

What do you say? Shall we dance?

***

Sia McKye has spent over twenty years in marketing and promotion. She's written and published various articles on writing, marketing, and promotion. She's a Marketing Rep by profession and also writes fiction.