Monday's Musings: Digital Is Changing Everything...

There is an enormous amount of chatter, gnashing of the teeth, and good amount of jubilation, over the changes impacting publishing world today. Everything is changing.

On the surface, the changes seem rapid although they’re not really. We’re just seeing more concrete results of the impact digital technology has had on the market. These changes have been developing over the past fours years that I’ve been tracking them.  People don’t react well, for the most part, with change. It pulls them out of their comfort zones. So, what we’re really seeing is the knee-jerk reaction to that change.

Like everyone else, I’ve been watching the debate over traditional publishing versus self-publishing, paper books versus e-books on blogs, industry rags, and forum chatter. I’ve seen authors devote a blog post on why their dear readers must help them out by buying their latest books as paperbacks or hardcover as opposed to e-books so they can reach the bestsellers list. I’ve heard the wailing over e-books taking away revenue of authors not smart enough to have their agents negotiate better profits on digital.

I’ve read about publishers decrying Amazon, and like online bookstores, for allowing low prices for e-books. How readers are shying away from buying the book at full price (Winged brow. Well, Duh) Then I came across another argument by a literary publisher against e-books, which had my brows climbing into my hair, followed by an unladylike snort (sorry, Mom), and laughter.

“This has always been my problem with e-books: they emphasize immediate entertainment — and gratification — over real 'reading,' which takes more commitment, patience, attention and time.”

Say what?

C’mon, reading is reading, whether you choose to read on an e-reader, paperback, or hardcover. I have news for him; reading is entertainment as well as a pleasure. Reading is also a learning experience. What difference does it make if I get my entertainment, or research, immediately via my kindle, or I-pad? How does this devalue a book, author or publisher? How is this not real reading?

So, we who use e-readers are basically lowbrow plebeians? Apparently we can’t read something of import on an e-reader and take the time to soak in the ambiance and beauty of the words and meaning unless there is an actual paper book in our hands? How screwed up is that reasoning? Shall I send him a catalog of “classic” literature now available as digital files?

Are we seeing a comparison to a certain little Dutch boy putting his finger in a levee thinking it will save life, as we’ve known it?

Don’t get me wrong. I love books and always have. I love the smell of a library, of opening a book, of holding it in my hand because it’s special. Reality is, it’s not the book itself, but what it represents to me, a portal to learning, adventures, new worlds and people. I have colIected books all my life. I have favorites I have read many times over. I don’t go anywhere without a book. I’ve crippled moving company workers who have carried 15 large metal (think 5 ft long x 5 ft wide, and 3 ft deep with locks and padding) trunks of books from one house to the van and unloaded them in another duty station. My husband and I got into one of our first major fights over not only the money I spent on books but also the space my books took up. He’s since learned to grumble under his breath and has accepted the fact that whither I goest so goest my books.

I now have a kindle. I love it--E Ink display is easy on the eyes and simulates  reading a printed page w/out any glare or back light and I can adjust font size. It's light and easy to carry around. I must have a couple of hundred titles (thank god for alphabetical order and author's names). My husband has said a quiet hallelujah to the heavens that they are on the kindle and not physically taking up space. He’s been eyeing my collection and I've given my trademark evil eye, sweet smile, and a growl--don't even think about it, 'cause we're talking death, dismemberment and itty-bitty pieces scattered to the four winds.

While we’re at it, let’s add my opinion to the heated discussion over the pricing of e-books.

I’m eclectic in my reading choices and always have been. My choices on Kindle are no different than what I buy in a bookstore, except I’m more inclined to try out ‘new to me’ authors.  I like how many publishers offer specials—free to $4.99. Publishers and authors recognize this is a perfect way to build a readerbase. I’ve found some wonderful books and authors that way. I’ve also gone back and bought other titles from those authors that weren’t discounted.

The most I’ve paid for an e-book is $12.99 and I cringed. I collect hardback copies of several authors and will buy those on Amazon.  Frankly, shelling out $17-30 for an e-book is not something I will be doing anytime in the future, unless it’s a research book I need and even then, I’m analyzing whether I really need it. If I can’t get it any other way, I’ll buy it.

My thoughts on this: I can understand the price of paper books being high. I don’t like it, but I understand it. You have to factor in all involved between the time the authors submit a completed manuscript (electronically as a digital file), buying the paper, ink, and running thousands of copies on a printing press for mass paperbacks (or even hardcover), the high cost of transporting to the market and exorbitant cost of returns. There is a lot of money built into that book I hold in my hand.

E-book. Transmitted electronically from author to publisher. Design is done by computer and attached to the digital file, format setup by computers to a digital file, electronically submitted to the market place, via digital file,where it is bought electronically, delivered electronically, as a digital file, from online to your electronic reading device.

Hello?

Digital doesn’t have the same built in costs to produce. So why should I pay the same price for an e-book as I do for a hardcover paper book?  Especially when it's first released as a hardcover and the price is the same for the e-book.  As Spock would say, it’s highly illogical.

So, the debate over digital publishing and e-books will rage on until an effective compromise is reached. Pricing will have to factor in the cost of staff to produce a finished product and if we want paper books to hold in our hands or put on our shelf we’ll have to pay the higher price for the privilege.

I can work with that.

Although this article is somewhat of a rant and a bit sarcastic, this whole issue is a serious one.

Your thoughts? 


Trust me, you're not going to hurt my feelings if you don't agree.

.

Doing What I Was Born To Do

My guest is bestselling historical author, Grace Burrowes. By day, Grace is an attorney and an advocate for children.


When she's not practicing law she writes grand adventures set in England. Her stories are filled with passion, romance, a fun dose of witty repartee, and a touch of mystery. 


Grace shares a bit with us about her world and her passion for writing.

I got into a discussion the other day with The Mayor of Courtroom Two about self-discipline and the writing life. Courtroom Two is where I conduct most of my legal business, advocating for children in abuse and neglect proceedings. It isn’t where I thought the practice of law would take me, but I love my work and I consider that little courtroom part of my professional home.

The Mayor of Courtroom Two loves his work too, though most people would call him The Bailiff. A bailiff in my jurisdiction wears many hats. He’s part master of ceremonies, rounding up the parties for the next case, ushering the parties for the last case on to the their next destination; he’s also a scheduling assistant to the judge, keeping an eye on what attorneys are trying to juggle work in two or more courtrooms on the same day. The bailiff steps and fetches for the judge and he works with the sheriff’s deputies to ensure the safety of all in the courtroom.

Our bailiff goes extra miles beyond that: He makes sure the witnesses have tissues in their teary moments, he makes sure the water pitchers on the counsel tables are full and the clerks and reporters have ice in their cups if they want ice. He tidies up the chairs and tables at the start of the day and again at the end, so the courtroom looks neat and not like some eighth grade desk charge supplanted the workings of justice. He greets the regulars in the morning and he wishes us good day each afternoon with unfailing good cheer—no matter how stupid our closing arguments, how obnoxious our clients, how lacking our case presentation.

This guy just has the gene for being a bailiff. When he tried doing something else for a few weeks, I grieved the loss of him.

Writing is like that for me. I have no writing goals much less written goals displayed in a prominent location. I have no quotas, I don’t do page counts, nor keep a tally of how long it took me to write what. If I were not permitted to write regularly and in quantity, I would go into a decline. The hardest, hardest, worst, most impossible thing for me is that part of the creative process when I must to sit on a toadstool and think up an external conflict for each book. Oh, that is painful, to not have my hands on the keyboard, to not hear the words being tapped out in a steady, mellifluous rhythm, to not see black pixels filling up the screen where white pixels were.

But even the pain of the off-keyboard plotting exercise is precious and to be relished because it’s part of writing my stories.

I get up every morning, wanting to write. If it’s a court day, or even a fly to England day, there’s still a little part of me pouting because I don’t get to write. I get up every day grateful that I can write, and gleeful with the knowledge that I have a WIP, even if I can’t open it up and work on it THIS INSTANT. This is not discipline; this is the farthest thing from discipline.

This is the great, soul deep pleasure of doing the thing I was born to do, the thing that makes me passionately happy, the thing I hope can please my readers for many, many, many books to come.

THE SOLDIER BY GRACE BURROWES—IN STORES JUNE 2011

Even in the quiet countryside he can find no peace...His idyllic estate is falling down from neglect and nightmares of war give him no rest. Then Devlin St. Just meets his new neighbor...

Until his beautiful neighbor ignites his imagination...With her confident manner hiding a devastating secret, his lovely neighbor commands all of his attention, and protecting Emmaline becomes Deviln’s most urgent mission. Excerpt (at the bottom of the page)

Buy: Amazon, Barnes and Noble, Borders 

Available in e-book and mass paperback

Be sure to check out her first book, The Heir

Grace Burrowes is the award-winning and New York Times bestselling author of The Heir, also a 2010 Publishers Weekly Book of the Year. She is a practicing attorney specializing in family law and lives in rural Maryland, where she is working on the next books chronicling the loves stories of the Windham family. Lady Sophie’s Christmas Wish will be in stores in October 2011, and The Virtuoso will be in stores in November 2011, with more to come in 2012!  For more information, please visit www.graceburrowes.com. (Her site is in the process of expanding).

ALYSON REUBEN: Making The Transition From Aspiring To Published Author

My guest is historical author, Alyson Reuben. A several months ago, she virtually disappeared for a while. It freaked me out, so I wrote to her and asked if all was well? That’s when I learned she was in the process of getting published and deep into edits and such.

Now that she has a bit more free time, I asked her to be a guest on Over Coffee, even though her book wasn’t yet available. I will be featuring her book in September.

I love hearing how writers deal with the call and the transition from aspiring author to published author.  How she reacted when she learned her book was to be published ( I do believe I heard a very loud squeal).  How did she work through the excitement of getting a book ready for publication. 

What kept her going through rejections over the years? Had she ever thought of just giving up? 

 

Hello! I’m so excited to be Sia’s guest author today!  

Author. Wow, I can still hardly believe I’m using that noble label in reference to myself. There were times I thought my story would never move beyond my own computer screen.

The writing bug bit me back during my second grade year, when a children’s author visited my school. I loved to read—still do! So to meet a flesh and blood person behind such entertainments had me craning my neck, ears pricked to hear his every word. Unfortunately, the man’s name has long since escaped me, leaving behind only a vague impression of a Santa Claus-looking gentleman with a short white beard. But he also left behind another impression, greater than any Christmas present. One that has stuck with me all these years. And, because of that, I wish I could shake his hand. Heck, I wish I could throw my arms around his neck and kiss him! He helped me realize, even at such a young age, what I wanted to achieve in life. To write a book. To write lots of books. 

One thing he didn’t tell us author-hopefuls—or, at least, not that I can remember—was how long it takes to break into publishing. It might not take everyone as long, but it’s been a long haul for this ol’ girl - over twenty *ahem* years. I started writing A Beautiful Cage a few years ago, filed it away half-finished, then picked it up again, because the characters kept returning to mind, urging me, goading me, begging me to finish their story. WWII is a subject I’ve always found fascinating, not because I love war—just the opposite—but because of the many true tales of heroism and courage that have come from such a catastrophic event.

Gustav and Rebecca, my hero and heroine, are fictional products of this tragic and yet gutsy period in time. I’m sure they’re as relieved as I am to finally break into publication. Did they cry when receiving the news? I’m not sure, but I do know that my ever-supportive husband and daughter had to keep the Kleenexes coming for me. I sobbed for days, in between cheering and dancing. 

I’ve been asked what has kept me going through the years, especially after receiving several rejections. My first answer is love. Love keeps the desire to write strong and keen. The second (and, perhaps, most important) thing that keeps me going is pure perseverance. I’ve refused to give up in the past, and I refuse to give up in the future. My zeal hasn’t diminished with the arrival of publication. It continues, a living, vital part of me that pulses, pushing me to write even better. And for the times I need an extra push, my critique partner, Elle J. Rossi, is always ready with her encouragement.

•  A few things I've learned:  writing takes practice, patience, and persistence.  And a lot of all three. 

So, now I’m working on A Beautiful Cage’s sequel, A Beautiful Tempest. Am I running into rough spots? Naturally. Do the rough spots tempt me to throw up my hands in surrender? Sorry to say, at times, yes. Am I loving my characters? You bet!

Most of all, will I ever give up?

No way! 

• Are you an aspiring author? What keeps you going in the face of rejections?

~*~*~

Back in elementary and high school, Alyson was often in trouble for writing stories when she should’ve been studying for math tests.  Detentions and trips to the principal's office aside, she was determined to become an author someday, no matter the price.  A few years later Alyson began writing historical romance.

Now Alyson gets in trouble for writing stories when she should be cooking dinner for my her family.

You can find Alyson at her Website, Facebook, Blog: Reuben Sandwich

Coming in September 2011

Monday's Musings: How Often Do You Use Real Experiences In Your Stories?

I had a situation happen to me this past weekend and it was a totally new situation for me. Not particularly a welcomed one, but funny as hell. My mind immediately leaped to how to incorporate this into a story. Even had the characters in mind. Poof and they were there. Very weird. But I did write it down, just in case.

Now, I have to say, I’m an observer and some strange things capture my interest.  I’ve sat down to eat at the local diner and I have to say, some of the conversations, a turn of phrase, a name, the way something looks, how someone walks or dresses can send my mind into a storytelling mode.

Some things truly are stranger than fiction.

So, my question is: 

• Have you had something happen to you where your mind jumped to how to incorporate the situation, good or bad, into a story or even built the story around it?
• 
  
• Were your characters instantaneously there like magic?
• 
  
• Or did you just use the situation in a WIP?

Clichés–Are They Really That Bad?

Summer is the time for conferences and vacations. Time to use the longer days and time off for writing and editing.With so many writers doing serious editing right now or doing word count challenges and preparing for NaNo summer camp, I thought it would be good to offer a few craft articles.

Here's one from, Beth Hill, Fiction Editor.

Are clichés really that bad for your novels? The short answer is yes, they truly are. And a slew of clichés in a novel or short story is much worse than a single one that manages to get past your internal editor.

But because I’m not one for a short answer, I’ll expand and explain why clichés don’t add anything positive to your novel and why instead they detract from it.

Clichés are overused expressions that at one time might have been original. They can be used as shortcuts—she’s as cute as a button, I’ve painted myself into a corner, it’s as easy as pie—when we don’t want to make the effort of searching for a new description or finding that perfect verb. In speech, clichés are common; using them makes for quick communication.

But in novels, and even in shorter fiction, clichés serve to make the reading bland and stale. They are someone else’s words brought into a new plot. The cliché may not fit the character, the setting, the era, the social background of the story, or the genre.

Using clichés is like wearing someone else’s old and dirty clothes. They might have looked good at one time, but they don’t look good anymore. They don’t fit right and they don’t smell too good and they do nothing to improve your looks and bearing.

They. Don’t. Fit. Not as well as fresh words written for a particular story and specific characters would fit.

Instead of bland and lifeless, old and stale, you want to create phrases that are fresh and new and eye-catching and arresting. You want to draw readers deeper into your fiction by matching words and phrases to your characters and plot, phrases that no other story has. If you’ve used common phrases—phrases that fit any story—you know they don’t fit yours. Not the way new and exact phrases, crafted specifically for a particular story, would fit.

Puzzle pieces can’t be forced into a puzzle where they don’t belong, not if you want the puzzle to come out right. Words shouldn’t be forced into a story where they don’t fit.

Word choice is one of the strongest tools for making your story original. Unique. Why force inexact words into your writing? Why take the tired and common and mix them into your fresh passages? Why dump in bland when you’re trying to write something that stands out?

You could argue that a character speaks in clichés. And she might. There’s nothing wrong with giving quirks to a character. But all your characters won’t use clichés. And your omniscient narrator shouldn’t (unless you’re going after a certain effect).

Words carry a story’s flavor. Sprinkle yours with phrases that are sweet or spicy or bitter, not with old words that reek of rot and decay.

Don’t serve your readers tired words. They want vibrant phrases that mean something, not dull phrases that have lost their significance.

Go for bold and fresh rather than trite and sour. Use your words. Create new phrases, new similes and metaphors, that tighten your story threads. Use phrases to anchor your characters to your setting and plot.

Using clichés is like using someone else’s melody in your music or thinking someone else’s thoughts—their melody would be discordant inside yours; their thoughts wouldn’t help you get through your day.

Not only don’t clichés add to your writing, they can weaken it. Common phrases can turn off readers, they can keep you from weaving a tight story with no holes. Because they come to us so easily, we may write clichés without thought, without asking what those phrases add to the story and which direction they’re sending the plot.

Do clichés say exactly what you mean? Not often. And if you slave over your other words, why would you let less exacting words slip in to dilute your descriptions or dialogue or action?

*******

Practice creating fresh phrases. Take clichés and change them—as cold as ice, as black as sin, he’s got a couple of screws loose, her head’s always in the clouds. Be creative. See what happens when you put your slant or personality on such phrases.

Then look at your own writing. Take out the common and put in something new, something that your character would think as he looks at the sky or at his wife or at his enemy. What kinds of words would he use, a man of his background, especially in the circumstances in which he finds himself?

Use words and phrases that reveal character that reveal motivation or intention. Use words that reflect your story’s genre and reveal your story’s theme.

Root out clichés and tired phrases from your manuscripts and then create your own phrases. Produce melodies in your words. Give your works a fresh and vibrant flavor, a flavor your readers will appreciate and savor and want to experience again and again.

*******

For fun, a cliché-riddled blurb…

I had to reach the end of my rope before I could reach for the stars. I had to hope against hope that I’d soon see the light at the end of the tunnel. After all, what comes around goes around, and I’d spread it around pretty thick.

I wasn’t yet out of the woods or in the clear. But time was running out and I needed to wake up and smell the coffee. The mob wanted to see me six feet under, but I wasn't ready to buy the farm. Their enforcer had tried to eighty-six me, but he missed by a hair and now he’s eating crow. He’d come armed to the teeth, yet he’d bitten off more than he could chew with me. I had an ace in the hole—when Armand sent him after me, it was the straw that broke the camel’s back and I was madder than a wet hen and fit to be tied. Ordering a hit on me got my dander up, and I saw red, so I fought back like a man possessed.

Nah, I’m not just another pretty face; I’m built like a tank. That enforcer discovered actions speak louder than words. When I clobbered him, with both of us sweatin’ like pigs, you could hear a pin drop. I laid down the law and I haven’t seen hide nor hair of him since.

So, life goes on. At least mine does. And while I’m reaching for those stars, my feet firmly tethered to the earth, I’m gonna roll with the punches, remember I’m in it for the long haul, and fly by the seat of my pants when I’m not dancing with the devil. I’ll be cool as a cucumber and as sweet as sugar unless someone gets my goat. And then I’ll turn over a new leaf.

Life’s too short to always be fighting against the tide; sometimes you gotta go with the flow. It’s not always win-win because you win some and you lose some, and besides, it’s not about winning, but how you play the game.

I've been laying it on thick, but this could be the start of something big, so I want to be ready for anything.

Better quit while I’m ahead. Besides, I've got other fish to fry.

"Oh, brain! Oh, brain! Why have you deserted me?"

Please welcome back to Over Coffee, one of my favorite romance authors, Cheryl Brooks.


I've love visiting Cheryl's version of the galaxy. And those Zetithian's are hot. But more than sexy heroes, what won my heart for this series was her delightful secondary characters. I look forward to each book to see which hero will be showcased but also what fun new characters will show up. 


Wait until you meet, Kots, Waroun, and Quinn. Oh and, Threldigan, is an intriguing character who whets your appetite for more about who and what he is. If you haven't yet read any of her Star Cat Chronicles, you are missing out on a fun sexy series filled with exotic place, sexy heroes, adventures, battles and love. 


The Virgin does well as a stand alone and a great place to start.  Just sayin'. :-D


Cheryl's discussion is one I can certainly relate to. Enjoy.

There was a time when my brain never forgot a single thing. It could recall facts, figures, and bits of trivia in an instant. It could interpret 99% of all situations correctly. What it didn’t already know, it could easily absorb. Problem solving was its specialty. Given enough time, it would come up with the perfect solution all by itself. People used to borrow my brain when theirs got tired. But now that I’m working full-time, writing for two publishers, and trying to get a book ready to self-publish on Amazon, my trusty noggin has deserted me.

Granted, this desertion began at the time of life when most women’s memories decide to retire, but since it’s about ten years prior to the accepted retirement age and I need it more than ever before, the timing couldn’t be worse. At present, I’m using every spare moment to write and the things I used to do in my spare time have slowly been preempted. My garden is neglected. My horse herd has dwindled from five down to two, and neither of them have worn a saddle in years. I could probably figure out just how many years it’s been if I gave my sluggish mind enough time, but that would be too depressing. I still ride, but it’s a half hour lesson at a local stable once a week instead of the day long riding/grooming marathons at my own barn. My horses don’t complain, but on those days that I spend an hour or so brushing and clipping and spraying for flies, their appreciation is quite clear. They miss me.

But these are the things that happen to anyone who begins a second career later in life without relinquishing the first. True, I could have quit my nursing job when my first book, Slave, was published, but let’s face it: Romance writers do not enjoy the same kind of income that nurses do. At least, not in the beginning. With all the money some of my fellow authors are making by self-publishing on Kindle and other e-book formats, I’m beginning to see a light at the end of the tunnel. But in order to jump on this bandwagon, I must work on three projects at once. I have thirteen unpublished manuscripts to play with, but now that my seventh book, Virgin, is about to be released, I find that I have grown as a writer. I can’t simply reformat those manuscripts, piece together some cover art, and throw them out there. They must be rewritten, polished, edited, and proofread. But for that, I need time and a clear head.

So, what else am I doing now that I never did before? I’m taking naps. I once read a humorous essay by a woman who wanted to know who that “old woman” was who had taken up residence in her house. The one who climbed stairs so slowly, the one who took naps in the afternoon, and whose bedtime coincided with that of her grandchildren. I’m here to tell you, that woman is me. Me, who used to walk briskly, could stay up all day and then work all night with no ill effects, and who seldom forgot anything. I could sure use her brain—and her body—right now. Wonder if she’d let me borrow them?

What about you? What changes have you seen in yourself as time goes by?

VIRGIN BY CHERYL BROOKS—IN STORES JUNE 2011 

 He’s never met anyone who made him purr…

Starship pilot Dax never encountered a woman he wanted badly enough. Until he met Ava Karon…

 And he’ll never give his body without giving his heart… 

Dax is happy to take Ava back to her home planet, until he finds out she’s returning to an old boyfriend…

 As their journey together turns into a quest neither expected, Ava would give herself to Dax in a heartbeat. Except he doesn’t know the first thing about seducing a woman…Excerpt: you read the first chapter on Amazon 

My review of The Virgin

Buy: Amazon, Barnes and Noble Borders, Books a Million, Indiebound

Cheryl Brooks is a critical care nurse by night and a romance writer by day. She is a member of the Romance Writers of America. She is the author of The Cat Star Chronicles series and lives with her husband, two sons, five cats, five horses and one dog in Indiana. For more information, please visit http://www.cherylbrooksonline.com/.

The Winds Of Change: Self-Publishing

Isn’t amazing how things change, isn’t it?


In 2008, the new technology, Print On Demand, was becoming more readily available to not only small independent publishers but also individuals. There were those authors who had gone the self-publishing route, and may I add, with the prevailing attitude from their peers of lips curled. I knew many who had decided to publish their books as e-books. Attitudes were better but there were still those who sniffed and declared these authors weren’t “real” authors—as borne out by some writing associations and review sites.


On the sidelines, a close eye was kept on these bold and daring authors and small independent publishers and their failures and successes.


In 2009, e-books were on the rise and by early 2010 print books were fighting for equal footing in sales, as traditional publishers scrambled to make the new technology work for them.


Around this time some of the traditional publishers were starting to put out trade paperbacks of some of their authors and not just mass paperbacks. Business wise this makes perfect sense with digital printing, especially with exorbitant cost of returns. Trade paperbacks became more acceptable (which is funny when you consider trade paperbacks are the norm in other countries). While e-books had grown to a thriving business, and were beginning to level the playing field, trade paperbacks published with traditional publishers still had national exposure that self-published and some smaller independents didn’t.


What the traditional publishers had to their advantage—and still do—is distribution on a national level, in-house editors, cover artist, and active PR departments. Oh, and let’s not forget carrying the cost of the all-important, ISBN numbers and distribution through companies such as Ingrams (not cheap).

The latter part of 2010, we started to see the winds of change. Traditionally published authors opting to go the self-publishing route for many reasons; not the least is the ability to publish stories they know will be read even if their publishers initially shot down these books as too risky or not marketable. Another reason was allowing the authors greater profits on the e-books, longer shelf life, and basically, greater control over their work.


Having said that, these established authors have something debut authors don’t have, a name and a healthy readerbase. That’s not to say a debut author can’t build that, but for a debut author to think they can achieve the same results initially is comparing apples to oranges. Everyone has to start out on the ground level and build their business. Building a readerbase is no different.

Another thing to keep in mind is quality editing still has to be done, ditto on good cover art, because regardless if the book is electronic or paperback, we’re drawn to well designed covers. This means hiring an good people, epecially a good fiction editor as a new author, to assist so quality work is put out. Authors have to count the cost both in time and in outlay of money when considering self-publishing.


As authors, is POD technology (e-books and trade paperbacks) the way of the future? Of course. I said it back in the latter part of 2008 and it’s even more apparent now. How we get there is still being defined and refined. And it’s exciting to see. I admire those daring serious authors and independent publishers who were ahead of the pack. I have nothing but respect for those who are now forging ahead and breaking new ground.

• What about you? Have considered it?
• Or have you done it already? Be interesting to hear your opinions. 
• What do you see as the pros and cons with regard to your work?