My guest today is British Para-Romance Author, Helen Scott-Taylor. She wrote The Magic Knot, which is where I came into contact with her and her latest book is The Phoenix Charm.
He’s Pure Temptation.
Cordelia has sworn she’ll abstain from looking into Michael’s future—particularly when the image in the gilded smoke of her divination mirror shows him half naked. Yet she can’t resist watching the sexy rascal slowly running his hand down his ribs, over his abdomen, flicking open the button on his jeans with a little flourish like a magician performing a trick.
She’s Trying To Resist.
Respectable wise woman Cordelia restrains her secret water nymph sensuality with the Celtic symbols painted on her skin. But Michael’s powerful fairy glamour leaves her breathless, off balance, struggling for control. When Gwyn ap Nudd, the Welsh King of the Underworld, steals away Michael’s infant nephew, Cordelia must work with him to save the child. But how can she trust her instincts with Michael tempting her to explore the hidden elemental depths of her nature and insisting that she believe in the power of…The Phoenix Charm.
How beneficial is writing contests for an aspiring writer? What can a a contestant do to prepare for such a contest? Helen is a veteran when it comes to contests. She sold her first book after winning the American Title IV contest. She discusses her experiences with writing contests and offers some advice:
Most writers have entered a writing contest or two and writers’ feelings about writing contests seem to be mixed. I’ve read posts on chat loops from authors who’ve had bad contest experiences with critical judges and poor feedback, conversely, I’ve also heard of authors who have sold their first book after winning a contest.
The topic of writing contests is a pertinent one for me because I’m one of those authors who sold a first book through a writing contest. I won the American Title IV contest run jointly by Dorchester Publishing and RT Bookreviews magazine and a publishing contract was the prize for winning.
The American Title contest was unlike most writing contests, being based on American Idol. For five rounds, character studies, story summaries, or book excerpts were published in RT Bookreviews magazine. Each round, the writer whose book received the fewest votes was knocked out.
I also have experience of many conventional writing contests where judges, usually fellow writers, judge the first round, marking and giving feedback on a score sheet before the top three or four entries are passed on to an editor or agent for final judging. There is definitely an element of luck involved. Some judges never mark high no matter how great the entry, while others are overly critical or just plain wrong in their assessment and advice. The funniest comment I ever received from a judge was that my English character sounded too American and I needed to research British English. If only she’d known that I’m British!
Despite all their faults, I found writing contests tremendously helpful in giving me feedback on my writing and in helping me grasp the subtle differences between British English and American English. In the early days when I was new, some contest judges put a lot of time and trouble into explaining to me how to improve my writing. Those judges alone were worth the entry fee.
Later when I started to final in and win contests, the boost to my confidence helped me to forge on toward the goal of publication with renewed enthusiasm. For me the ultimate contest achievement for an unpublished romance author was to final in the Golden Heart. The experience of attending the Romance Writers of America National conference in San Francisco as a finalist was so much fun I wouldn’t have missed it for anything, and the camaraderie among the group of finalists is still important to me two years on.
My writing contest experience has generally been good, and I’d recommend unpublished romance writers to enter RWA chapter contests to gain feedback on their work and also to get in front of the agents and editors who judge the finals. My one proviso would be to check the score sheet first. It is often available on the website of the chapter running the contest. If not, the contest coordinator should let you have a copy. I also recommend that you ask if judges are required to give a reason when they knock off points. Certain contests are known for having good judges and giving good quality feedback. Two that come to mind are The Golden Gateway contest run by FTHRW, an online chapter of RWA, and another is The Golden Pen, run by The Golden Network.
I have recently entered my first book The Magic Knot in a few contests for published books, so I’m now entering a new realm of writing contests. Once again, I feel like the new kid at school!
- I’d love to hear your experience of writing contests if you’re a writer. If you have entered contests, has the experience been useful or not? If you have chosen not to enter, why not?
I'll be offering a signed copy of The Phoenix Charm to a commenter today.
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As a child, when Helen didn’t pay attention her teachers accused her of being away with the fairies. Things haven’t changed much! Only now, the fairies are tall and sexy and they live in her stories rather than just in her head. Helen resides in South Western England near Plymouth with her husband, two teenagers, two Shih Tzus, and a cat who rules the household with a velvet paw. With the rocky cliffs of the Atlantic to the south and the windswept expanse of Dartmoor to the west, she loves to walk in the countryside while she plots her stories. She believes deep within everyone there’s a little magic.
Helen would love to hear from readers. You can find her at www.HelenScottTaylor.com
