IN MY ROOM

“There’s a world where I can go and tell my secrets to In my room…”

My guest today is Rita Award nominee, Nicola Cornick. She not only writes Historical Romances, but has fabulous inspiration working for National Trust Ashdown House, a former Tudor hunting lodge, located in Berkshire. Of course, we Americans picture a hunting lodge as much more rustic than the reality of the Dutch styled mansion with a hundred steps

Nicola shares some pictures and some thoughts on finding our special place to write.

Yes, the Beach Boys had it right. It’s the place where I do my dreaming and my scheming when I’m plotting out my books and developing my characters. Then inevitably I do my crying and my sighing when I’m approaching a deadline and the book stubbornly refuses to write, or my characters go off in a direction very different from the one I had planned. So My Room is a very special place.

I imagine we all have “Our Room” where we write or read, or a place that is special to us, indoors or out. It’s a place that inspires us or a place we visit to do our dreaming. Until last year “my room” actually doubled up as the kitchen as well. This was a minor detail – the fact that the rest of the family used it for cooking, eating, chatting and dropping their stuff everywhere was slightly irritating at times but space issues mean that a lot of us have to write when and where we can and I was no exception.

Then, at the beginning of last year, I got my own room. It’s beautiful and I love it. It’s now been colonised by the cats as well, but hey, we all have to share sometimes. So I thought I would walk you around it and tell you about a few of the things that provide inspiration and feed my writing dreams.

Well, first of all there are my bookshelves. When I put them in I thought there would be masses of space on them. But somehow my books have expanded to fit the shelves available. These are my research books, mainly for the Regency period, but some other historical non-fiction as well. I’ve had an absolute ball collecting my reference books and I add to them all the time. One of these days those shelves will go straight through the floor because they are groaning under the weight of so many books! Research is one of the things that I love about being a historical author. I grab a book from the shelves, intending to look up something specific, and I read some other fascinating snippet and off I go at a tangent… I get some of my best story ideas that way. I remember once I was researching shopping in the Regency period and I saw a reference to lottery tickets and that gave me an idea for an entire book! There is everything on these shelves from the history of beards to the history of belly dancing.

On the wall to the left of my desk is a framed poster of the cover of my first single title historical, Deceived. I did my first book signing at the RWA Conference in Atlanta a few years ago and they let me keep the poster as a souvenir. My husband had it framed for me to celebrate the publication of my first book for HQN. It’s enormous and one night it fell off the wall with a huge crash and almost squashed the cat who used up one of her nine lives. The poster is a wonderful reminder of how lucky and privileged I feel to be writing Regency historicals for HQN but it’s also a bit daunting. On those days when I sit at my laptop and absolutely no ideas come and every word feels as though it’s been weighted with lead I see the big book cover and think: “I’m an impostor!” A lot of people tell me that they feel like that about their jobs sometimes; those moments when we all question whether we really know what we are doing. The moments that you hope doctors and pilots don’t have. With writing the whole process seems so reliant on nothing more tangible than intuition and imagination sometimes. Jo Beverley recently called the writing process “alchemy” and there is something magical and mysterious about it. Sure, there is craft and skill and structure, lots of hard work and many other components, but in my experience writing is also taking risks and going with what feel right – oh, and a large dose of luck, of being in the right place at the right time with the right book.

On the other wall is a black and white photograph of the gardens at Ashdown House. Like a lot of people I wear two hats – I write and I also work for the National Trust for England and Wales, showing visitors around an historic house. Ashdown is another of my passions, a stunningly beautiful seventeenth century hunting lodge that provides me with a great deal of inspiration. Simply walking up the magnificent oak staircase makes me feel as though I have been transported back in time. On a more practical note, working at Ashdown also gets me out of the house and meeting real people. Being a writer is a wonderful job but I also find it quite a lonely one sometimes. Talking to people, listening to them, answering questions about Ashdown and simply getting out and about is another great way for me to find story ideas.

On my desk is a peacock feather quill pen to remind me that I am a writer of racy Regency historicals. The peacock quill pen recently featured in a very hot and sexy short story I wrote for Harlequin! Well hey, sometimes you need to remind yourself that you write hot books when you also have to taken the rubbish out, hang up the washing, go to buy groceries…

Finally there is the view from my window. Strictly speaking it’s not in my room but it is very inspiring as well as distracting (all those comings and goings in the street outside!) Concentration and self-discipline can be a big issue for me as a writer! But it’s also lovely to have the countryside on my doorstep. When I’m wrestling with my plot and can’t make any headway I’ll go out and walk the dog, hoping that exercise and fresh air will help. Usually I can walk off the writer’s block.

I hope you have enjoyed this peek into my room. Do you have a special place you go to read or write? Where do you gain ideas and inspiration? What are the mementoes that you keep about you to remind you of the things that are important in your life?

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Nicola Cornick studied history at London University and Ruskin College, Oxford, where she wrote her dissertation on heroes and hero myths. It was a tough subject but clearly someone had to tackle it and Nicola took it so seriously that she passed with distinction. She has a “dual life” as a writer of Regency historicals for Harlequin HQN Books and a historian working for the National Trust. A double nominee for both the Romance Writers of America RITA award and the UK Romantic Novelists’ Association Romance Prize, Nicola has been described by Publisher’s Weekly as “a rising star of the Regency genre.” Her Regency trilogy “The Brides of Fortune” is available now and there is an excerpt on her website at: http://www.nicolacornick.co.uk/extract-the_undoing_of_a_lady.htm