AUTHOR INTERVIEWS: Stephanie Julian

Thanks so much for having me over for coffee, Sia, though I must admit I don’t drink it. So I’ve brought some hot chocolate. And Junior Mints.

I'm thrilled to have you visit Over Coffee again. I always have hot chocolate and teas. I remembered the Junior Mints from the last time you were here. :-) 

I’m really enjoyed reading What a Goddess Wants. You create such a fascinating world.

WHAT A GODDESS WANTS, the first book in my Forgotten Goddesses series.

This isn't your first book set in Etruscan mythology, though, is it?

When I first started writing WHAT A GODDESS WANTS, I was already deep into the two Etruscan series I've been writing for Ellora's Cave for the last three years. All of the books I've published, with the exception of SIZE MATTERS, have been set in this world. 


Actually, the world is the same one we live in; except there are whole communities of magic users normal people know nothing about.


The Etruscans are an ancient race of magic users including witches, werewolves, elves, fairies and deities. The first series I wrote, Magical Seduction, featured the elementals, the fairies and elves, and a witch. The second, Lucani Lovers, focuses on the lucani, the Etruscan werewolves.

Why Etruscans, rather than Greek or Roman?

I chose the Etruscans because there wasn't a lot of information known about this ancient race so I could play with the facts and twist them however I liked. I could take something that had a basis in fact and take it out of history and into the Twilight Zone.

But it also meant I was flying mostly blind. Unlike the Romans or the Greeks, I couldn’t look up a quick answer to anything.  Since I love to do research, this meant I ordered many, many, many books by Etruscan scholars, books not written for the casual reader. But in those 1,000-page tomes, I picked up lots of little tidbits that I could use in my stories.

Have you noticed that my goddesses wear red shoes most of the time? That’s one of those little bits I found in one of those books.

Most scholars believe that the Etruscans based their pantheon on the Greeks’ but, since none of those scholars can agree on where exactly the Etruscans came from or when, I chose to ignore that. Instead, I took what limited information I could find that didn’t mimic the Greek pantheon and expanded from there.

Let’s talk a bit about Tessa. Something I didn’t know and found intriguing is Tessa being a goddess with dual powers and duties.

Tessa in WHAT A GODDESS WANTS is the Etruscan Goddess of the Dawn. She used to lead the sun into the sky at the start of each day until that Roman bitch Aurora usurped her job. Tessa was pretty ticked off about that but she still had her duties as a Goddess of Childbirth. That’s another of those little tidbits I picked up.

Aurora cracks me up. I loved some of your secondary characters, like Sal, and I’d love to know more about him.

All of my Etruscan stories are linked; I was able to build a fairly large community with lots of characters who I love to revisit. For example, in WHAT A GODDESS WANTS, you’ll get to say hello to Salvatorus, who you might remember from SEDUCED BY MAGIC, SEDUCED BY TWO or EDGE OF MOONLIGHT.

You’ll also meet a new race of magical beings, the Cimmerians. Well, they’re not actually new. Robert E. Howard actually wrote about the Cimmerians in his Conan books. Yes, Conan was a Cimmerian, a fact Caligo, Tessa’s hero, grinds his teeth over constantly. Damn Arnold Schwarzenegger anyway.

I have so much fun playing in this world, creating a world within our world and revisiting characters throughout the stories.

And it shows in your stories, Stephanie. They’re fun to read. You said you have other series you’re writing. Anything new coming out in those series you’d like to tell us about?

As a matter of fact, I have another story in the Lucani Lovers series, GRACE IN MOONLIGHT, releasing July 20.

Thanks so much for having me over, Sia.

WHAT A GODDESS WANTS BY STEPHANIE JULIAN – IN STORES JULY 2011 

In his arms, her magic powers are on the rise…

Tessa, Etruscan Goddess of the Dawn, is desperately fighting off a malicious god, but her powers are weakening. She needs a hero and fast, because only sexual energy can give her strength. So she seeks out Caligo, whose sexual prowess is legendary…

 And she’s the only one who can bring him into the light…

Caligo is a fabled Cimmerian warrior determined to stay away from spoiled goddesses who trample heart after they've had their fun. But there’s something irresistibly hot and inviting about Tessa, and he knows he’s her only chance to escape the encroaching darkness…EXCERPT 

BUY: Amazon, Barnes and Noble, All Romance eBooks. 

My Review 

Stephanie Julian is the author of three erotic romance series with Ellora’s Cave. She is a member of RWA and Valley Forge Romance Writers and is a freelance entertainment and lifestyle feature writer. Stephanie lives in eastern Pennsylvania, where she is working on the next two books in the Forgotten Goddesses Series: How to Worship a Goddess (December 2011) and Goddess in the Middle (July 2012). For more information, please visit www.stephaniejulian.com.

MONDAY MUSINGS: Characters Who Influenced Me

A few days ago my group and I touched on characters that were role models as we grew up. I got to thinking about women characters I liked and why. I’ll admit, these characters also influenced my writing in so far as female characters go.

Amanda Bonner (Kate Hepburn, Adam’s Rib)

She was smart, a snazzy dresser, a career woman, and yet she was also married and juggled both. It wasn't all roses. She had problems to overcome, but then, so do all good characters.

Of course, Hepburn always played the accomplished woman who was strong, smart, bucking against stereotype of her time, but not afraid of being a woman. She let her dry wit and sense of humor out to play.  Hepburn always played my favorite type of character, intelligent, funny, sassy, sexy, and confident.

Some of Hepburn’s leading men were favorites of mine too. Gary Grant, suave, dashing, funny, and sexy. Or a man’s man, like Humphrey Bogart in African Queen. But Heroes are a subject for another blog. 

These old movies have fond memories for me because my mom and I loved Hepburn and we always watched them on TV when I was a girl. I still catch them when I can

Honey West (Anne Francis)

Oh, I watched this faithfully as a young girl. I loved Honey West. She was everything I wanted to be when I grew up. She was physically strong to do what she did, she had confidence galore—which was very attractive to me at that age. Honey was a judo/karate expert and she could kick ass and take names. Honey, was a great character because she took the labels of the time and poked holes through them. She was the first female private eye to ever appear on television. Plus, she had, Bruce, a very cool cat (ocelot). As the show progressed she got tougher. Yes, she celebrated her womanhood, used her looks to disarm the bad guys, but when push came to shove she could hold her own. Honey knew her limitations but she also demonstrated a quality I've always admired. If you use your brain you can figure out most things. Honey showed that you didn't have to be mannish to be a strong and competent woman and I liked that. She was always classy.

Ann Marie (Marlo Thomas That Girl)

I watched it and loved the idea that Ann was young and enthusiastic, had a goal and was willing to leave the safety of home to achieve it. I like the fact the focus was on a young single woman and it reflected the changing roles of women. This show was the forerunner of two shows (and characters) I also loved—the highly successful Mary Tyler Moore Show and Murphy Brown (I was a big fan of this one even more than MTM)

Pepper Anderson (Angie Dickinson)

 

Pepper was smart, pretty, and capable. Able to be what she wanted to be regardless of what people thought the role of woman should be. She had a tough job but was still celebrated her femininity. She had compassion, a sense of humor, and used logic and reason to get through to people—whether they were coworkers, bad guys, or families she had to share bad news with. Angie Dickinson’s role opened doors for more dramas that featured women in lead roles.

Kate Lawrence (Sada Thompson, on Family)

 

Why Kate? Because she had the courage of her convictions in a time when wife and mother were becoming synonymous selling out and being unliberated. She was loving and strong woman. Kate was tough when she needed to be and very fierce in protecting her family—even against themselves. She seemed so wise and confident. Actually, I think she showed there was nothing weak or wimpy about the job of being a mother and a wife. Even in this day of *new* paganism (especially in books) and worship of the mother goddess, wasn't one of her roles motherhood and wife. The goddess perfected the strength required to do both and do it well.

 

• Who were some of your favorite film characters?
• Do find yourself using their type or style in your writing?    

Coming up: Wednesday: Stephanie Julian, What a Goddess Wants, Friday: is historical author Lavina Kent.

Creating A Promotion Platform Through Blogging

Laurie Creasy continues her series in Using Social Media Strategy 

Part One:  Promote Your Writing
Part Two:  Blogging: Improving Your Visibility

Your book is being published! Great news!




But now you have to market it.






You’re in one of two positions (either Type A or Type B):

•  You have a blog and a presence on one or more social platforms (such as Twitter and Facebook)

•  You just said, “Huh?” and scratched your head.

If you’re Type A, as soon as you get The Call, make sure each one of your accounts is neat, clean, and up to date.

• If you've been slacking off on your blog, pick up the pace. Try a few new things – a contest, hotos from a writers conference, some video of your reaction to The Call.
• Recheck your privacy settings on your Facebook profile. If you have posts or photos that could embarrass you – especially if you’re writing under the same name as your profile – tighten up the settings.
• If you have a Facebook profile only, get yourself a Facebook page. A profile maxes out at 5,000 friends, and you probably don’t want to go through moving people to a fan page later.
• Delete any … erm … unwise tweets. Yes, people will be able to find them forever, but most people aren’t techie enough to care.
• If you have a presence on any other networks, make sure it’s all tidy. If you don’t want to put the work in to get it up to speed, then change the settings to private.

If you’re Type B, as soon as you get The Call, it’s time to think, and think hard.

• Brainstorm ideas for a blog. (Friends can help.) Choose an idea you can have fun with and that won’t bore you silly in a week. You can photo blog or video blog, too.
• At first, you’ll be spending at least an hour and a half a day (that’s if you write fast) writing a blog post and publishing it. Be honest with yourself and figure out exactly how often you’ll be able to do that – and it’s no shame to do it once a week only. (When you’re considering this, here’s a tip: People read thrice-weekly posts more often than they read daily posts. Save yourself some heartache.)
• Write six or seven evergreen blog posts that you can put up when things are tight. If you have friends who are published authors or editors, beg them for a few evergreen posts. These can include book reviews, author bios – anything that’s not going to yell, “Written two months ago!” to your readers.
• If you don’t have a Facebook page, start one. If you have no fans, bribe your friends and relatives to “like” your page.
• Don’t jump into every possible social media platform. Right now, a blog and a Facebook page will be enough.

Ideas to help Type As:

• If you've done a number of blog posts that can be combined – for example, how to choose a laptop, reviews of laptops, tips about programs that help writers plot, combine them into a PDF (you’ll want to do some polishing), and e-pub it for free or for a minimal fee to get your name out there.
• Figure out a way to meet up with some of your fans – ice cream socials, tea parties, chocolate tastings. Keep it small and keep it simple. Hold some kind of contest so your fans can “win” invitations. Take photos and post them to your blog.
• Have fun! It’s your first book – celebrate, and invite your fans to celebrate with you.

Ideas to help Type Bs:

• Do a white paper – a brief report – on something you’re expert at. Include photos or links to videos if you want. These don’t need to be serious, professional three-piece-suit things. If you’re an expert at making seashell flowers, go for it. Are you expert at knowing who’s who among fallen angels? Write it up.
• Go to a conference armed with a small tape recorder and an inexpensive video camera (take the tape recorder, because inexpensive video recorders have terrible microphones) and get a few quick soundbites from published authors. Ask each one the same question, then edit the answers together and post the video – complete with your name as producer, director, and interviewer.
• Have fun! It’s your first book, and all published authors have been where you are now. Don’t be afraid to ask for their help, as long as you keep things short and sweet and don’t shove the camera at them under the bathroom stall.

Don’t just get fans. Figure out how you’re going to keep them. Be creative, be imaginative, and take a few risks.

I want to thank Laurie for sharing her professional knowledge of Promotion and Marketing with us this week.


Next week we'll be back to our normally scheduled authors.

Blogging: Improving Your Visibility

Laurie Creasy continues her series in promoting your writing through social media. This installment talks about how to improve your visibility and cement your presence through blogging.
You can find her first article here: Part One: Using Social Media

OK, you’re no longer a newbie. You’ve written enough to query an agent or editor; maybe you’ve even e-published something.

And yet … and yet … the mojo just ain’t there. You’re getting a few hits on your blog – and of course you have a blog – but it’s nothing to write home about. No one’s breaking down your doors and demanding more, and you’re not the overnight success you always dreamed you’d be.

Here are four steps you can take to improve your visibility and cement your presence:

Analyze. (Just start every list of things to do with this word – it makes things much simpler.) Yes, yes, every the, a, an, and that is deathless prose. You couldn’t possibly change a word.

Here’s a checklist to help you analyze your blog:

n      Which posts got the most hits?
n      Which got the fewest hits?
n      What do the popular/least popular posts have in common? Length? Topic? Tone?
n      Are you using tags and categories to improve your search engine rankings? If you aren’t, read up on why search engine optimization matters.
n      Are you getting linkbacks and pingbacks? If you aren’t, you need to begin linking to helpful articles.

Once you figure out what your audience wants from you (i.e., the popular posts), give them more.

This doesn’t mean every post has to be a breathless monologue about, for example, the hot embroidery details on Regency gowns year by year, but maybe two out of three or three out of four should be.

Your posts showcase your writing. Don’t stint on the time and effort you put into them. It may be the first introduction others have to you.

You plan on writing stories aimed at certain audiences or publisher’s lines, right? So why would you want to flit all over cyberspace with topics on your blog?

Separate personal from professional. Not everyone agrees on this, and in the end it’s your call. But do you really want your editor or agent to see into every corner of your life?

Yes, people should accept you the way you are … but if you worked in an office, rather than at home in your PJs, how much would you tell your boss about your problems with hubs leaving the seat up? How much would your co-workers want to know about your sexual preferences?

Let’s face it – you aren’t selling your real self on the Internet. You’re selling a persona. No one wants to read about Jane Doe, housewife up to her eyeballs in dirty jock straps. But they may want to read about Desiree Divine, author of the steamiest sex scenes romance readers ever panted over. And Desiree Divine does not deal in dirty jock straps.

Think before you post.  And before you e-mail, tweet, Tumbl, Pinterest, or anything else on the Internet.

If it’s on the Internet, it lives forever, even if you take it down. So go ahead and type that rant about Nora Roberts not paying her dues or that acerbically brilliant response to a bad review … and then delete it.

Never, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever (are you seeing a pattern here?), ever snark on the Internet. To anyone, at any time, anywhere.

Believe me, your sins will find you out. Ask the guy who got his whole agency fired from a job with Chrysler for tweeting improperly. Ask the guy who lost his job at Columbia for making snide remarks about the CNN reporter who was sexually assaulted in Egypt.

Help and share. Support other writers. Support other bloggers. Help newbies navigate the labyrinth of the publishing world. Encourage new and old writers. Give positive, constructive feedback.

In short, spend time building your reputation as a go-to person on certain topics, as a professional who can set and keep boundaries, as someone who can stay silent at the right time, and as someone who’s generous and kind.

Yeah, it’s kind of old fashioned.

Then again, maybe everything old really is new again.

~*~*~*~

Readers you might also like:
Spunk On A Stick's Tips
Discussion - Length of Blog Posts

Using Social Media Strategy To Promote Your Writing

Blogging and promotion is part of the new job description for the today’s author. Getting your name known in cyberspace. Setting your *brand.*

It either scares the bejeebies out of a writer or they feel at a loss as to where to start. They want to use their time to write, not *play around on the internet.* I was the promotion/marketing director of a small Indie press. I heard variations of this daily.

So many books. I want to look for you, why?

My answer? You can do both. How are your readers going to find you if they don’t know your name and what you write? Books don’t just magically sell because your name is on it. And many writers don’t start that process until they have a contract or a book published, which puts you at a disadvantage of racing to catch up.

Yes, you need time to write but you also have to invest the time to get your work in the hands of your target audience—your readers. So, if blogging and promotion is a must, then learn how to blog in a way designed to gain readers and build a platform of future fans.

My guest is Laurie Creasy. She has graciously agreed to share her expertise to help one get started and how to use social media to promote your work. 

This will be part one of a three part series. 

It’s never too early to plan a strategy for using social media to promote your writing.

More and more, traditional publishers rely on authors to promote their books. In e-publishing right now, you are author, marketer, and sometimes even editor and designer.

To promote what you write effectively, you’ll need momentum.  Here are five ways to build it.

Blog. As a new writer, this may be the most important thing you do in social media. A blog anchors everything else you do – it gives you a place to explain or extrapolate, to test ideas.

Don’t tell me you have nothing to say. Of course you do. If you really had nothing to say, you wouldn’t be a writer. Right?

So write about something you love – something that also touches what you write about. Adore steampunk? Tell us about the clothes, the foods, and the buildings.  If you write fantasy, give us some tips on how you build worlds from scratch.

Not only are you giving your readers great information, you’re building an audience for your stories.

Experiment. I started a Tumblr blog several months ago and floundered until I began taking photos of flowers. Suddenly my blog took off (in a small way). Who knew?

If things aren’t working, try a different angle – maybe steampunk clothes are just too, well, done -- or try a different tone for your posts.

If you don’t do well with a traditional blog, try something different.

Tumblr (tumblr.com) is fun, and it’s an excellent way to show off photos and artwork.

A new service, Pinterest, lets you create the virtual equivalent of a bulletin board for things you’re interested in. (Pinterest is in beta, but you can request an invitation at pinterest.com.)

You may also find that you work well with Storify (storify.com), which allows you to tell a story through tweets and Facebook status posts. Unlike a blog, however, Storify creates standalone pieces.

Play around until you find out what works best for you.

Help and share. Your job as a budding author is to build relationships with everyone, not just big name authors. It’s what your mother always told you: To have an audience, you have to be an audience.

This means you can’t just post to your own blog and ignore everyone else’s. Get in there and comment, question, and even disagree on other blogs.

Yes, it takes time. Yes, you might spend that more productively by writing, and writing is your future.

Let’s be blunt: Selling your writing is your future, unless you like starving in a garret and achieving renown only after you’re dead. The time you put into building your social media presence now is an investment in your writing.

Analyze. What works on a blog doesn’t work on Twitter. What works on Twitter doesn’t work on Facebook.

Figure out what’s best for which platform and why. My job involves maintaining a Facebook page for a large university. I can tell you right now that our audience loves photos of campus, news about our sports programs, news about our research in health, and news about our astronomy research. Any of those will draw likes and comments for us, and on Facebook, likes and comments are the name of the game.

If you have a Twitter and/or a Facebook account, begin experimenting now to find out what mix of content will work for you.

Stop worrying about numbers. Millions of Facebook fans, tens of thousands of Twitter followers – stop right there.  Just stop, OK?

You’re going to buy a friend’s book, or you’re going to buy a book by someone you feel as though you know. If you like that book, you’ll tell others, and if they like it, they’ll tell even more people.

That’s the point of social media, to build friendships. Not only do you want to get to know the people who will buy your book, you want them to get to know you.

After all, readers aren’t really investing in any given book. They’re investing in a relationship with an author they’ve come to trust.

• What strategies have you employed? What have you found to work?
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• If you have any questions be sure to ask and Laurie will do her best to answer them.

At age 53, Laurie went back to college for a master's degree in Human-Computer Interaction. Her younger classmates introduced her to social media, and she has never looked back. She leads the team that maintains a university Facebook page with more than 200,000 fans -- an increase of 130,000 fans since she began her work in early 2010. 


She has won national, regional, and international prizes for poetry, fiction, and reporting, including the RWA's Golden Heart award for romantic suspense, and has taught creative writing classes.


You can find Laurie: Facebook and her blog

Investing in Your Writing

Everyone is gearing up to go to writing conference this summer. Some have been and are trying to absorb all they've learned and apply it to their writing.


Conferences are a great place to network--you meet agents, publisher reps, other authors. You do learn a lot even from those seminars that don't quite fit what you're looking for. I've found some good info bits in some of them.


A writing buddy of mine, James Rafferty  recently attended a writer's conference shared some of it with me.

Recently I attended two conferences, one for my work in telecommunications and the second for my work in writing. The conferences were in very different fields, but I observed several common themes that applied to both events. At the conferences, I invested time in learning new things, networked with other professionals in the field and promoted my current projects.

I'm not a newcomer to conferences. I've probably attended 4-5 telecom events for the past 15 years. My participation in writing conferences is mostly much more recent. I attended a few SF conferences as a reader and fan many years back, but my participation at Boston area conferences the past two years has been as a writer. Why should writers attend conferences?

I view conferences as an investment. It's a chance to step out of the normal day to day routines and find out what's going on in the rest of the world. Publishing is undergoing a sea change which has much in common with the changes the high tech industry experienced during the past ten years. Business models are changing, there are new ways of getting products to the market and the roles of industry participants are shifting before our eyes. In this kind of environment, it makes sense for individuals to study up on the new trends, perfect one's own areas of craft and expertise and make contacts with the shakers and movers of your industry.

    Muse and the Marketplace, sponsored by Grub Street of Boston, offers a breadth of possibilities for              aspiring writers. The conference took place over a weekend and I chose to attend the Saturday portion of the event. From among a plethora of sessions, I decided to focus on a mix of craft, marketing and promotion.

Boston-based author Gary Braver conducted a session on ten essential elements for writing thrillers. A key point was that the mission of the thriller writer is to establish an atmosphere of dread and then build up tension throughout the novel. I'd previously read Braver's book Flashback and really enjoyed it, so he was a credible source for this kind of information.

Next up, I attended a session on promotion, which was useful, but tending toward being repetitious. The key point was an emphasis on the need for author to be ready to promote their work at all times and along the way, builds up a platform. Most of this information was familiar for me and the leader offered a useful reminder that we needed to be ready with an elevator pitch on our projects.

One of the unique parts of Muse was the chance to participate in their Power Lunch. For a reasonable fee, we could choose a lunch table and chat with four members of the publishing industry. I chose a table with two agents, a publisher and an editor. Three other conference attendees joined me at the table and we all had chances to talk with everybody at the table by changing seats a couple of times. I found this to be the best part of the day. My fellow authors and I each pitched our current projects and I even had enough time to chat a bit about a work in progress with a couple of my lunch mates. I put the prior session's emphasis on the elevator pitch to immediate use and got enough interest so that I've got a couple of action items to pursue in the wake of the conference.

In the afternoon, I shifted gears and went to a session called Agents on the Hot Seat. Agents are the gatekeepers for the traditional publishing industry and tend to be very knowledgeable about the market, so getting a chance to listen to four pros talk about how they chose authors to represent and how the agent's role is evolving was enlightening.

I concluded my day by participating in a Manuscript Mart session. This is another unique feature of Muse, since an author can prepare a submission in the form of a query letter, synopsis and a 20-page excerpt of one's work, and then get detailed feedback from an agent or editor. In my case, I submitted an excerpt from my first novel, Growing Up Single. The agent I chose had done her homework and offered a detailed review of both the query and the excerpt.

I had several takeaways from this session. One key point was to sweat the details on the query. The agent really wanted to get a clear idea about the book in just a few lines and offered her thoughts about whether I'd accomplished that. She'd also done a line by line review of the excerpt and gave me her take on what worked and what didn't. When I had a chance to take a fresh look at her feedback a couple of days later, I found myself agreeing on some points and not on others, but felt the overall critique was useful in giving me some direction on where I'll go with this project.

James Rafferty

By the end of the day, I felt like this day had been an excellent use of my time and that I'd learned a few things that will help me progress as a writer. I also had some great positive reinforcement that will help me to stay motivated on these projects. And I had those action items that will keep me busy for a while.

• If you're a writer, what steps are you taking to advance in meeting your goals?
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• Do you feel conferences are the right investment of your time and money, or would you recommend a different approach?

You can find James on Facebook or on his Writer's Notebook blog

Monday Musings: How Important Is Having Editor?

This week Over Coffee will be about different aspects of our writing careers, whether it's procuring a good editor, investing in writing conferences, or building a online presence.

Most authors come into contact with editors. There are all sorts of editors from acquiring editors to copy editors. They have all have an important role in an author’s career and the quality of their writing. They work with non-fiction and fiction authors and these professionals edited everything from articles to books.

Although I know several editors and their roles in publishing a good book, there was much I didn’t know. So I researched. With so many opting for self-publishing, or working with small indie presses, the need for a good editing is vital for your finished product—your novel.

In a publishing house, the acquiring editor is the liaison between authors, staff, and readers. They act as project managers. Their job is to make sure your work the best it can be. They take into consideration the overall picture of your story.  They contemplate your genre, writing style, and the demands of the market. All this involves a lot of ripping, tearing, and rebuilding of the manuscript. It’s not an easy process for authors or editors.

Once you sign your contract, the editor will read the whole manuscript. These editors read for story structure and may come back with a list of changes of necessary for your manuscript. This may be commenting on your setting, characters, conflict, pacing, plot, and word choices. You, the author, then revise your story according to these comments. It may take several revisions before both you and the editor come to agreement. Once all that is worked out the manuscript moves to another editor.

The copy editor is the one we usually think of when we think editor. Copy editors get the manuscript and read or *proof* it for grammar and punctuation, word usage, spelling and typos. They also check for consistent formatting of chapter headings, and more. This process may take more than one pass to get everything correct. Then it’s sent back to the author to do a final edit. Meanwhile THE editor finalizes all the pieces farmed out to various staff members (the design editors, the copywriters who might write the back cover blurb, the publicity department) approves it and now it’s off for publication.

There are a lot of extra steps in this simplified telling. I just hit the high points. One thing I have learned, not all editors are created equal. I found this out by letting a good friend who was a newspaper editor read one of my first stories. She’s very good at what she does for newspaper editing but it’s a different form of editing. Suffice to say, if ever I decide to self publish, I will be utilizing a fiction editor who has a good copyeditor around, or she can wear both hats well and I’ll be asking for references.

No wonder so many authors gush over their editor in their acknowledgements. A good Fiction Editor is worth having. They make the difference between an okay story and a great story.

• As an author, what have been your experiences with editors? 
• Would you put out a book without one?